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April 2017

December 27th


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I'll give Danny McBride and David Gordon Green a chance with the new Halloween movie as long as they promise to keep Busta Rhymes as far away from it as possible!
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MonsterZeroNJ posted a BLOG item 2 days ago



1957 was a busy year for producer/director Roger Corman and this is another of his cult classics. This flick finds a group of scientists and navy men going to a deserted island to study the effects of H-bomb test fallout. One of the side effects of the nuclear dusting is some of the crabs have mutated to giants the size of Cadillacs and with the power to absorb the minds of their human food. Can this group survive as the colossal crabs decimate their number and steal their brains?

Giant mutated crabs would have been enough for most filmmakers during the 50s nuclear age cinema, but Corman had to give them the ability to absorb and use peoples minds, too. The sheer audacity of it alone may explain why this was a big hit for the producer. This was another movie Corman directed from a script by frequent collaborator Charles B. Griffith and once again he takes his subject matter seriously even though our main attractions are giant talking, brain sucking crabs. Corman gives this one a fairly fast pace, it is legitimately spooky at times and has a healthy does of intensity. The serious tone from both director and his cast…including future “Professor” from Gilliagan’s Island, Russell Johnson…helps the audience take our crustacean bad guys more seriously. As for the creatures, they actually don’t look that bad considering this is a low budget film and Corman keeps them hidden till the last act. As silly as the plot may sound, this is actually a decent horror flick despite the outrageous plot elements and Corman’s thrifty style makes good use of minimal sets and outdoor locations. There is also a bit of a charming cheese factor, but it’s a lot better than one might think and about the best a talking giant crab movie may ever get. One of Corman’s better low budget black and white efforts.

I was very amused by this one upon the revisit. It wasn’t as silly as it could have been and Corman took his audacious plot and ran with it. By the time we meet our villains they have been given enough of a threat factor to make them work, despite they are talking paper mache crabs. A fun and surprisingly effective atom age monster movie from Roger Corman. 6.5/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 08:25 PM Apr 28

awesome . so much fun.

MonsterZeroNJ posted a BLOG item 5 days ago



I recently began reading Roger Corman’s autobiography How I Made A Hundred Movies In Hollywood And Never Lost A Dime and it made me want to revisit some of his earliest films that I first saw on TV’s Chiller Theater and Creature Features as a kid.

One of Corman’s earliest flicks as a producer and director, this thriller tells the story of an alien invader from Venus, who isn’t particularly happy that earth has started sending satellites into space. It comes here to invade using bat-like creatures to take over people’s minds and with the help of bitter earth scientist, Dr. Tom Anderson (Lee Van Cleef) who believes earth needs ‘saving’ by this higher intelligence. Standing in the way of this nefarious plot is scientist Dr. Paul Nelson (Peter Graves) along with some feisty heroines and the usual soldiers and military types that populated films of this era.

Corman directs with a serious hand, from the script by Lou Rusoff and frequent Corman collaborator Charles B. Griffith, despite that his creature looks like a combination of cucumber and crustacean. He shot it in about two weeks on a budget far lower than the average Hollywood flick of the time and the production looks better than one might expect due to Corman thriftiness. While the creature FX are cheesy and the dialogue equally so, it ads charm to a fun movie, all the more amusing for taking itself so seriously despite it’s outlandish plot and monster. Corman gets good work out of his cast, which also includes frequent Corman actress Beverly Garland (Swamp Woman, Not of This Earth) and Sally Fraser, who was in such cult classics as Earth vs. the Spider and War Of The Colossal Beast. The film, due to it’s small budget, does focus more on character drama than creature hi-jinx, but it’s atmospheric and keeps one interested till the military finally take on the alien dictator in true 50s creature feature fashion. There is also a very effective mood building score by Ronald Stein who composed for many a Corman classic. If you love the sci-fi flicks of this decade, this is one of the classics and an early example of the low budget entertainment that made Roger Corman one of the most successful producers of all time and an underrated director.

I had a fun time watching this again. It’s judged due to it’s cheesy creature, but the monster has become iconic, representing the creature features of the 50s and the film is better than it is given credit for. It obviously influenced future alien invader flicks, just look at Without Warning’s flying creature weapons as a perfect example and as usual with a Corman production, features future stars like Van Cleef and Graves. Corman is now a legend for making these kind of inexpensive but profitable features and who cares if it’s title monster looks like it could hide in a salad bar or seafood buffet. A fun example of what made the 50s era monster flicks so endearing. Also features frequent Corman actor, the legendary, Dick Miller as a soldier. 6.5/10

-MonsterZero NJ

Mood: Happy

timmyd at 08:25 PM Apr 25

I remember seeing this when I was a kid on the Saturday afternoon creature feature . And loving it.

MonsterZeroNJ posted a BLOG item 11 days ago

review:MST3K: THE RETURN (2017)


Mystery Science Theater 3000 was created by Joel Hodgson and originally ran for ten seasons from 1988 till 1999 and was a beloved show for movie geeks everywhere, as it playfully skewered some of the worst cult classics and B-movies of all kinds. The format had a working stiff (originally series creator Joel Hodgson and then Mike Nelson) being kidnapped to a satellite in space and forced to watch some of the worst films ever made. The subject and a group of robots would then comment on these films as the series’ villains observed and routinely tried to make things miserable for our heroes. Fans have missed the show since it’s cancellation and were overjoyed to find out that Netflix was reviving it.

Premiering on Netflix streaming this April, the new series follows the same plot with newcomer Jonah (comedian Jonah Ray) being the newest test subject under the watchful evil eye of Kinga Forrester (Felicia Day), daughter of original series villain Dr. Clayton Forrester and Max (Patton Oswalt), otherwise known as The TV Son of TV’s Frank, offspring of original series villain TV’s Frank. There are fourteen new episodes featuring fourteen bad movies to which our hero, along with robots Gypsy, Tom Servo, Crow and Cam-bot, watch and mock while Kinga and Max do their best to make Jonah crazy…all with mostly hilarious results.

The revived series certainly is a welcome return and, for the most part, can be as funny as the original show. As with all the other seasons, there are some strong and hilarious episodes and some which are just OK. The key here is the movies have to provide the crew with something to work with. The funniest episodes of the new season, such as premiere episode Reptilicus, Time Travelers, Starcrash, The Land That Time Forgot and the season finale At The Earth’s Core all provide material that is ripe for commentary and the writers certainly take the ball and run with it. Then there are movies which are just bad, like Cry Wilderness, the first hour of Beast From Hollow Mountain, Wizards of the Lost Kingdom and Carnival Magic, which are so bad that Jonah and the boys struggle through them to keep the comments coming and funny. If the movie they’re watching is boring, there isn’t much the crew can do. Thankfully, the episodes that do work…and more do than don’t…hilariously make up for the few where laughs and fun are scarce. As with the previous seasons, there are movie geek references galore, such as Kinga’s house band looking delightfully like Infra-Man’s skull soldiers and meta references to previous episodes.

The cast are all having a blast and it shows. Jonah Ray is a suitable replacement for the earlier Joel and Mike. He’s a likable lug and fits the part well. Felicia Day is having a blast as Kinga, a cross between Cruella Deville and Veruca Salt. Day knows how to ad camp in just the right amounts and to dial up just enough villainy so Kinga stays a fun bad girl, like her predecessors and doesn’t tip over into unlikable. Patton Oswalt is equally successful as the bumbling Max…who has a crush on Kinga, which she obviously ignores…and is not quite such a bad guy as his boss lady…though he is trying. The robots’ voice actors all do a good job with instilling them with personality, although they are the same characters from the original show, so they don’t have to work as hard to establish themselves like out new leads. There are also cameos from original series characters and actors and some amusing appearances from famous faces such as Mark Hamill and Jerry Seinfeld.

Overall, this is a very happy return for a personal favorite show. The new cast and characters are likable and fit in with the show’s established style and the old format still works and works well when given material ripe for the picking-on. There are a few yawn inducing episodes, when the movie itself is dull and not even funny in the wrong way, but when the movie is the right kind of bad, the episodes measure up to some of the previous series best on equal footing. Welcome back MST3K!…and when can we expect season 12???


(Rating the show by episode instead of the usual overall rating)

Reptilicus – 3 and 1/2 stars
Cry Wilderness – 2 and 1/2 stars
Time Travelers – 3 and 1/2 stars
Avalanche – 2 and 1/2 stars
The Beast of Hollow Mountain – 3 stars…the last 1/2 hour was very funny
Starcrash – 3 and 1/2 stars
The Land That Time Forgot – 3 and 1/2 stars
The Loves Of Hercules – 3 stars
Yongary – 3 and 1/2 stars
Wizards of the Lost Kingdom – 2 and 1/2 stars
Wizards of the Lost Kingdom II – 3 stars
Carnival Magic – 2 and 1/2 stars
The Christmas That Almost Wasn’t – 2 and 1/2 stars
At the Earth’s Core – 3 and 1/2 stars

-MonsterZero NJ

Mood: Happy

MonsterZeroNJ posted a BLOG item 17 days ago

review: DIG TWO GRAVES (2014)


Not really a horror film, but more like a rural mystery/thriller with a thin layer of the supernatural. The film takes place in a community in the Illinois mountains in 1977 and finds young Jake (Samantha Isler) mourning the loss of her brother Sean (Ben Schneider), who drowned while diving into a local quarry. A tragic event for which Jake feels guilty. Three mysterious men appear to Jake and tell her that they have the power to bring Sean back, but someone must take his place, namely her classmate Willie (Gabriel Cain). Unknown to the girl, the motivations of these men involve Jake’s sheriff grandfather (Ted Levine) and a possible quest for revenge that’s taken 30 years to unfold.

This is an impressive debut from Hunter Adams from a script by he and Jeremy Phillips, that is loaded with atmosphere. The film plays like a dark fable as we start out with a glimpse of something awful taking place in 1947 then are introduced to Jake thirty years later as she loses her only sibling. From then on we meet the mysterious Wyeth (Troy Ruptash) and his two brothers, who claim to have the power to bring Sean back…but at a price. As we progress forward with Jake’s moral dilemma, Adams also takes us back thirty years with flashback’s told through the eyes of her grandfather Sheriff Waterhouse (Levine) to slowly, over the course of the film, reveal what got us to this point and how all the dots connect. It’s all done with the aura of dark magic and something slightly supernatural going on and in just the right doses to keep us on edge, but not tip into full blown horror. The film stays somewhat grounded in reality which makes the moments that hint of something otherworldly all the more unnerving. The film sometimes evoked the rural set Winter’s Bone, but with a hint of dark fantasy that keeps us uneasy throughout. It takes till the very last scenes for all the pieces to come together and the climax will stay with you after the film is over.

Adams also gets very good work from his cast, especially his two leads. Veteran Ted (Silence Of The Lambs) Levine is very strong as Jake’s grandfather Sheriff Waterhouse and really creates an effective portrayal of a good man haunted by past events and wanting to protect his granddaughter from them. Samantha Isler gives a powerful performance as a young teen wanting to correct something she feels is her fault, but tormented by the moral implications of it’s solution. The young actress is a talent to keep an eye on. There is also Troy Ruptash as the creepy Wyeth. Ruptash gives the man a sense of power and menace with an aura of someone with dark powers beyond being just potentially lethal. Rounding out is Danny Goldring as former Sheriff Procter. Procter is a man with skeletons in his closet, skeleton’s he might kill to keep hidden and Goldring gives him that sense of a man desperate to keep something hidden.

This was an atmospheric thriller with a constant feeling of foreboding and an undercurrent of dark magic and possibly the supernatural. It’s a slow burn mystery that unravels at a deliberate pace and takes you on a journey both forward and backward in time to tell us it’s complete story. It has some very strong guidance from it’s first time director and excellent work from a good cast to punctuate the script and direction. The film was first released at film festivals in 2014 and finally gotten a limited release three years later. Another film given the attention it deserves by Executive Producer Larry Fessenden! Highly recommended! 7.5/10

-MonsterZero NJ

Mood: Surprised

timmyd at 08:22 PM Apr 13

sweet . definitely checking this out.

MonsterZeroNJ posted a BLOG item 18 days ago

review: THE VOID (2016)


The Void is not only a trippy tribute to horror films of the 80s and the practical make-up and gore effects used in them, but a bloody good time and a creepy monster flick in it’s own right. The film opens with a young couple being chased by two men, with the man (Evan Stern) barely escaping and the woman being shot and then brutally burned alive. The man is found by local policeman, Dan (Aaron Poole) and brought to a nearby hospital that is in the process of closing down after a recent fire. There the cop and minimal staff and patients find the building soon surrounded by mysterious and lethal hooded figures, while inside it starts to turn into a house of horrors, as staff murder patients and the dead return to life transformed into creatures from out of a nightmare. Can Dan, his nurse wife Allison (Kathleen Munroe) and the remaining survivors figure out what is happening and how to get out alive?

Written and directed by the team of Steven Kostanski and Jeremy Gillespie, this is a mash-up/homage to the films of John Carpenter and Stuart Gordon, among others. There are elements of Assault On Precinct 13, The Thing, In the Mouth Of Madness, as well as Re-animator, From Beyond and a host of other cult classics. But Kostanski and Gillespie make it their own with their tale of other dimensions and nightmarish activities and the film is filled with some really unsettling imagery and a host of practical creatures and gore, along with it. The story itself is a bit convoluted at times and the filmmakers don’t spoon feed you everything, but that works far more in the film’s favor than it doesn’t. It’s a disturbing ride, loaded with atmosphere and we do gradually find out enough of what’s going on to satisfy, as the deliberately moderate pace carries us to an unsettling conclusion right out of Fulci’s The Beyond. Sure the acting is a bit wooden here and there and the FX are a bit rubbery, but it’s the charm of what the filmmakers are trying to do and of the many cult classics they evoke, that makes it so enjoyable and fun. Not to mention the filmmakers do conjure some of their own goosebumps along the way. It may not make total sense, but it is enjoyably creepy and when the gore hits the fan, it hits delightfully hard and spatters everywhere. There is some effective cinematography by Samy Inayeh and a cool soundtrack by Blitz//Berlin, who did the soundtrack for Extraterrestrial.

I enjoyed this love letter to many a classic 80s film, including Galaxy Of Terror…which I just re-watched…yet one that didn’t loose it’s own identity. It’s a weird flick that is part Lovecraft, part Carpenter with a few other pinches of famous names of horror thrown in. It has some effectively designed creatures and some delightfully gory moments and gives us some spooky visuals along with the thrills and chills. You may scratch your head a bit here and there, but it’s fun throwback that may have introduced us to two filmmakers to keep an eye on. Also stars Art (Black Christmas, The Brood) Hindle as a state trooper and Scott Pilgrim’s Ellen Wong as an intern in over her adorable head. 7/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 07:57 PM Apr 12

so stoked for this one . can't wait.

MonsterZeroNJ posted a BLOG item 24 days ago

review: THE GOOD NEIGHBOR (2016)


Thriller finds two youths, Ethan (Logan Miller) and Sean (It Follows’ Keir Gilchrist), performing an ‘experiment’ on their reclusive, grumpy old neighbor, Mr. Grainey (James Caan). They rig his house with camera’s and hack into his systems and record as they try to convince the old man his home is haunted. As the experiment progresses, not only do the boys start to believe their neighbor is harboring some dark secret, but the prank/experiment starts to become more and more mean-spirited as Ethan increasingly becomes obsessed with his cantankerous neighbor.

Film is well directed by Kasra Farahani from a script by Mark Bianculli and Jeff Richard. It uses the found footage format part of the time and then switches to real time as we find ourselves in a courtroom where we realize this ‘prank’ ended badly somehow. During the course of the film we slowly find out what happened in the house and we also get some interesting reveals about our subject, his tormentors and their motivations. Not all is as it seems and Farahani and the script slowly unveil, using the two boys’ footage, what these events led up to and use some well-placed flashbacks to let us know what really was Grainey’s ‘secret’. It’s moderately paced, which works for this type of film, and if the ending isn’t completely satisfying, it’s only because it’s more true to life than one might want to admit. A solid thriller that is spooky at times and tragic and sad at others. 7/10

Mood: Chillin'

timmyd at 08:08 PM Apr 06

I'll check it out.

MonsterZeroNJ posted a BLOG item about 1 month ago

review: LAVENDER (2016)


Flick is a mystery thriller with a supernatural element as young wife and mother, Jane (Abbie Cornish) has been struggling all her life to remember the events from her childhood that took the lives of her parents and sister. A car accident gives her temporary amnesia and as her memories return, so she starts to remember things from that night 25 years ago. But something or someone is trying to help coax her memories back and whatever or whoever it is, it draws her to her childhood home for a confrontation with that dark event her mind has chosen to forget.

Film is stylishly directed by Ed Gass-Donnelly from a script by he and Colin Frizzell. It presents us with hints of what happened in it’s opening and then takes us 25 years into the present where Jane tries to remember the occurrence and it takes another traumatic event to start shaking the memories loose. As Jane begins her journey with her family in tow, we go along with her as she slowly puts the puzzle pieces together. There is also a bit of a supernatural twist, as though there is some force leading her in the directions she needs to go. It adds a spooky element to the film that works in it’s favor and keeps the audience a bit unsettled…in a good way. A strong performance by Cornish helps us like and root for Jane, too, even when we suspect she may have been somehow involved in the deaths. The supporting cast, Including Justin Long and Dermot Mulroney as her uncle, help keep the film involving as does the rural farm setting add atmosphere. The plot and resolution may not be entirely original, but it is engrossing and a bit spooky, too. 7/10

-MonsterZero NJ

Mood: Chillin'

Laksmikanti at 03:24 AM Apr 26

This one is popping out on Netflix and I have been tempted to watch it. Good cast, and your review doesn't spoil much, so I might as well watch it.

MonsterZeroNJ posted a BLOG item about 1 month ago

review: THE DEVIL'S CANDY (2015)


I’m a huge fan of Sean Byrne’s The Loved Ones and was obviously looking forward to seeing another flick from him…and finally, after eight years, it’s here. The Devil’s Candy is Byrne’s newest film, made in 2015, it’s only now getting a proper release on VOD and in select theaters from the cool folks at IFC Midnight.

The story here is of heavy metal loving artist Jesse (Ethan Embry), who moves to an old rural farmhouse with his wife Astrid (Shiri Appleby) and chip-off-the-old-block teen daughter Zooey (Kiara Glasco). While Jesse and Astrid know that the couple that formerly lived there died in the house, what they don’t know is that it is also home to some kind of malevolent influence. If it’s not bad enough that Jesse’s art starts to take a dark and ominous tone soon after moving in, Ray (Pruitt Taylor Vince), the child murdering son of the previous owners, wants to come home…and he has set his demented sights on Zooey.

While not quite as intense as The Loved Ones, and lacking it’s twisted sense of humor, this is still an atmospheric, disturbing and sometimes brutally violent horror flick. The mix of heavy metal music and demonic horror, obviously works as the two have been paired up since Black Sabbath took to the airwaves in 1968. While the demonic influence elements are nothing new, they are very effective as used by Bryne, draped in his thick atmosphere of foreboding. The most disturbing elements, though, are obviously Ray’s need to “feed” The Devil his favorite candy…children. He stalks Zooey right out in the open and the distraction the malevolent entity feeds Jesse by way of his art, leaves poor Zooey unprotected. It creates some very unsettling scenes as Ray gets closer to obtaining his goal, including one in Zooey’s bedroom that is absolutely bone chilling. This all leads up to not one but two harrowing sequences with Zooey and the rotund pervert, each more intense than the last. There are some drawbacks. The film comes in at a very tight 79 minutes and it sometimes feels too quickly over for it’s own good. We wish we had a little more time to let certain scenes resonate and be given a little more time to let the disturbing nature of what is transpiring sink in before moving on to the next dramatic moment. It is also never quite clear whether it is this demonic influence that led Ray to kill, or was it his homicidal habit that brought the entity into the house…if not…why is it there? On a technical level the film looks great and while there is some week CGI during the climax, the rest of the FX work is solid and there is a really atmospheric score from Mads Heldtberg, Michael Yezerski and the band Sunn O)))

If anything helps one past some of the flaws, it’s a really good cast. Ethan Embry has become a fixture in some good horror/thrillers lately such as the frustrated son in the awesome Late Phases, or the ill-fated gun dealer in The Guest. He is really good here, not only as metal head/family man Jesse, but in portraying Jesse’s gradual transformation from attentive father into obsessed artist. As his frustrated and scared wife, Shiri Appleby is solid as a woman whose family life is disrupted from both within and without. She has a suddenly moody and unfocused husband at home and a hulking child killer lurking about after her daughter. Appleby makes her a bit more than a damsel in distress, though she isn’t given as much to do when all hell breaks loose as we’d have liked. Kiara Glasco makes a really good impression as Zooey. A teen who walks to the beat of her father influenced drum but is her own person. She’s a tough kid and a little rebellious and the young actress has a great chemistry with Embry, so their father/daughter relationship really works well on screen. She has a couple of tough scenes to portray and does a good job. Making this all come together is a really disturbing performance by veteran actor Pruitt Taylor Vince (recently seen as “Otis” in The Walking Dead). Vince really makes Ray a creepy person who makes you uncomfortable every moment he’s on camera. It really makes you fear for Zooey, especially when he catches up to her…more than once. He makes your skin crawl. A solid cast just as in Byrne’s first flick.

So maybe writer/director Sean Byrne hasn’t quite equalled The Loved Ones in his sophomore feature flick, but he has delivered another disturbing, atmospheric and bloody movie that is of a different sort than his previous twisted love story. This plot may be a bit more commonplace, but he uses the familiar tropes very effectively. The theatrical cut…wikipedia lists a 10 minute longer festival cut…may be a little too short for it’s own good and there are some unanswered questions, but a really strong cast and a director who knows how to turn the screws makes up for a lot of it. Highly recommended. especially if you loved Sean Byrne’s previous work. 7/10

-MonsterZero NJ

Mood: Happy

MonsterZeroNJ posted a BLOG item about 1 month ago



In 1981, a nun by the name of Tadea Benz was brutally raped and murdered on Halloween night. A mentally handicapped young man by the name of Johnny Frank Garrett was convicted and executed for the crime. All during the trial and his incarceration Garrett proclaimed his innocence and on the night before he died by lethal injection, he proclaimed his innocence one last time in a letter that also said that those who wrongly accused him would pay…

This is from an actual real-life murder case that occurred in Texas in 1981 and serves as the basis for this horror film that takes the all-true story and portrays the effects of Garrett’s ominous last words as folks involved with the case and their loved ones, start to die mysteriously. Former juror Adam Redman (Mike Doyle) begins to investigate and finds they may have indeed sent an innocent man to his death and his revenge may now be coming to bare!

It’s hard to decide whether it’s daring or in bad taste that writer Ben Ketai and director Simon Rumley made a horror film out of a real life murder case…and not just based on it, like many films…but use actual events and names and all, adding a supernatural element to turn it into a horror flick. Whatever one decides, it is an effective horror and the fact that a lot of the events we are watching are true…such as later revelations that Jarrett may have indeed been innocent…adds a very unsettling element. The supernatural additions to the story are a bit disturbing, too, as Garrett’s “curse” target’s Redman’s son and he races to save him, as others from the case die around him. There are some creepy moments here, though turning the possibly innocent Garrett into a vengeful specter is a bit odd as you should want to feel sorry for him, yet he is preying on innocent children to make his point from beyond the grave. Obviously, the prosecutor (Sean Patrick Flanery) is the real bad guy here, but Jarrett is the “Freddy Krueger” of the flick and it’s still hard to feel bad for his cinematic incarnation and we should. The film was still effective enough and it makes one want to catch up on Jesse Quackenbush’s documentary The Last Word, which is about the actual events including the discovery of evidence years later that Garrett might possibly have been a victim of a justice system at it’s worst.

This was an effective and atmospheric horror film, even if the use of so many of the real facts from the case makes one uneasy about their use. Whether the filmmakers were being daring or exploitive is probably up to the viewer. The end credits also proclaim that there were indeed a number of mysterious deaths concerning individuals close to the case, but, so far, my online research has not confirmed this. Courageous or crass, Johnny Frank Garrett’s Last Word is if anything an unnerving little horror flick that does inspire one to find out more about what really happened on October 31st, 1981 in Texas. 6.5/10

-MonsterZero NJ

Mood: Chillin'

grelber37 at 06:21 PM Mar 16

I was wondering about this one. For obvious reasons, Rumley's Red White & Blue and The Living and the Dead stick in memory. Thanks for the review.

timmyd at 08:22 PM Mar 17

Big fan of Rumley . I'll most likely give this one a go.

MonsterZeroNJ posted a BLOG item about 1 month ago

review: DARK FOREST (2015)


Slasher homage finds four gal pals, Emily (Laurel McArthur), Michelle (Veronica Ternopolski), Francine (Jalin Desloges) and Jolene (Weronika Sokalska) all heading into the woods for a girls camping trip. Unknown to them, they are being followed by Peter (Dennis Scullard), Emily’s psychotic boyfriend who wants revenge for being defied and embarrassed by the four party girls. As our unsuspecting hotties enjoy their trip, Peter cuts a bloody path of pursuit into the woods leaving a trail of bodies behind him.

Flick written and directed in 80s slasher style by Roger Boyer may be a bit amateurish at times, but has it’s bloody heart in the right place. Boyer may not conjure any real scares, but the film does have a strong 80s slasher vibe, including 80s style soundtrack and gives us some abundant gore and an equally abundant cast of hotties, much like the horrors of that era did. Our four leading ladies are actually quite fine in their roles and are very likable characters to root/fear for while Scullard does make a creepy killer. Boyer’s slasher may be short on story, but at 75 minutes, the flick is kept short and sweet and doesn’t wear out it’s welcome. Sure there are some editing weaknesses and the film looks very low budget, but these are things a filmmaker can overcome with experience and low budget horror is where the heart and soul of the genre resides anyway. A nice effort that pays respectful tribute to it’s influences. 6.5

-MonsterZero NJ

Mood: Chillin'

timmyd at 08:20 PM Mar 10

I'll give it a look.

MonsterZeroNJ posted a BLOG item about 1 month ago

review: DON'T KILL IT (2016)


Horror/comedy follows the exploits of demon hunter Jebediah Woodley (Dolph Lundgren) as he hunts a nasty body hopping demon in a small town. The demon’s murderous activities attracts the attention of the FBI and now Woodley is forced to team with sexy FBI agent Evelyn Pierce (Kristina Klebe from RZ’s Halloween and Tales Of Halloween) to hunt it down…if he can convince her it really exists and he’s not crazy.

Goofy, fun and delightfully over-the-top gory, flick is directed in Sharknado style by Mike Mendez from a script by Dan Berk and Robert Olsen. Sure it’s silly and never scary for a minute, but the cast seem to be having a good time and Mendez brings his energetic and humor filled style to the proceedings such as he did with Gravedancers and Big Ass Spider. Mendez can take the most ridiculous of premises and just run with it and this flick is no different. Lundgren plays it straight, as does Klebe who proves once again she can pull double duty as leading lady and action hero. Goofy, harmless and blood-spattered fun. 6.5

-MonsterZero NJ

Mood: High

MonsterZeroNJ posted a BLOG item 2 months ago

review: XX (2017)


I’m a huge fan of female filmmakers making their voices heard in the horror genre, so, obviously, I was intrigued about this new anthology featuring four stories all written and directed by women. Unfortunately, like in most anthologies, the flick is a bit of a mixed bag with not all stories being equal.

First story is the best and is based on a short tale by Jack Ketchum. It’s written and directed by Jovanka Vuckovic and is a disturbing tale. The Box has mom, Susan (Natalie Brown) out in the city for the day with her kids, Danny (Peter DaCunha from Hellions) and Jenny (Peyton Kennedy). Danny spies a man with a present and his curiosity gets the man’s attention and he’s offered a look inside. Whatever he sees disturbs Danny greatly and he stops eating. He refuses to talk about it, but as he slowly opens up to his sister and dad (Jonathan Watton), they stop eating as well. With her family wasting away before her eyes, Susan is determined to find out what was in that box. This is a tense and unsettling episode with some disturbing imagery that has lasting effects even after it’s over.

Next story The Birthday Party, is directed by Annie Clark and is co-written by she and Roxanne Benjamin and is the least of the four tales. This one has self absorbed mom Mary (Melanie Lynskey) throwing a party for her little girl (Sanai Victoria) and finding her husband (Seth Duhame) dead in his home office. Not wanting to ruin the party, she now must find a way to hide his body. That’s it. It’s as uninteresting as it sounds.

Next story is written and directed by Roxanne Benjamin and is called Don’t Fall. This is a fun and effective episode finding a young woman (Breeda Wool) with a fear of heights going on a desert camping trip with friends. She runs afoul of an ancient evil entity in a cave and is transformed into a demonic creature that now stalks her companions. It’s simple, a bit gory and is a more straightforward and fun horror segment.

Anthology ends on a so-so note with Her Only Living Son. Directed and scripted by Karyn Kusama (The Invitation), this is a ho-hum tale of single mother, Cora (Christina Kirk) whose son, Andy (Kyle Allen) has suddenly turned violent. As she tries to find out what’s wrong with his behavior, she begins to suspect that his coming of age may have triggered both a horrifying transformation and unveiled a revelation about his true “father”. This segment is nothing new and ends rather abruptly and un-satisfyingly.

There are some really cool stop motion animated framing segments to the stories directed by Sofia Carrillo, that are probably the most effective thing about this uneven anthology. I still recommend one give it a look based on the framing bits and the stories that work, as it is still worth checking out…just not the total success one hoped for from some of the up and coming ladies of horror. 6/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a BLOG item 2 months ago

review: WINTERBEAST (1992)


Winterbeast is a perfect example of just how entertaining a bad movie can be. Flick’s convoluted plot has a snowy mountaintop community being beset by creatures that are actually demons that the Native Americans that once lived on the land have tried to keep at bay. A demon spirit is trying to enter this world through a portal in this area and his stop motion animated minions are gruesomely paving the way. The only thing that stands in it’s path are a couple of local forest rangers (Tim R. Morgan and Mike Magri)…at least I think that’s it.

Written and directed by Christopher Thies, this is a sometimes incoherent flick that is one weird scene after another with this hodgepodge plot about ancient Native American totem poles and demonic creatures the lay siege to a mountain community. The acting is delightfully terrible, the dialogue is amusingly awful and the stop-motion animated creatures and gore are delightfully cheesy. It’s also a bizarre little movie filled with WTF moments, such as the disturbing dance sequence featuring weird local lodge owner, Dave Sheldon (Bob Harlow) in plaid suit and clown mask, no less and a topless cutie being slammed against the side of a house by a stop motion totem pole creature, for no apparent reason…and let’s not forget the giant chicken monster. The editing is choppy and one wonders if director Thies was even on set as there seems to be little in the way of actual direction…though with this hopelessly amateur cast, would it have mattered?

I liked this film a lot, but, of course, for all the wrong reasons. The narrative is barely coherent, some scenes are completely random, the plot is loopy and there are some hilarious WTF sequences. There is a host of cheesy stop-motion animated creatures, some equally cheesy gore and some of the worst acting and dialogue you’ll ever hope to see. It’s also a lot of fun and a perfect example of why so bad can be so good. It made a real fun double feature with Don Dohler’s Alien Factor here in MonsterZero NJ’s lair, if ‘so bad, it’s good’ is your thing!
7/10…rating is based on 'so bad, it's good' fun!

-MonsterZero NJ

Mood: Happy

timmyd at 08:07 PM Feb 22

oh man , I gotta check this out.

MonsterZeroNJ at 09:14 PM Feb 22

It's a hoot!

MonsterZeroNJ posted a BLOG item 2 months ago

review: EAT MT DUST! (1976)


A year before Smokey And The Bandit and a good three years before The Dukes Of Hazzard, Ron Howard led a cross county chase in this Roger Corman produced action/comedy. The story is simple…teen Hoover Niebold (Ron Howard) wants to impress beautiful blonde Darlene Kurtz (Christopher Norris) who has a love for fast cars. Hoover steals the fastest stock car on the track, belonging to local legend Big Bubba Jones (Dave “Mr. Kincaid” Madden) to take her for a ride. This joy ride turns into a hot pursuit as his sheriff father (Warren Kemmerling) leads the chase, followed by a posse of drunken stock car racers and inept deputies!

Car chase flick is written and directed by Charles B. Griffith who wrote a lot of scripts for Corman during the 60s, 70s and 80s, including many of his classics. It is a light, fun and fast paced effort that made a lot of money for Corman and New World Pictures. The film was part of a deal with Ron Howard, who had star power from Happy Days and was looking to direct. If he starred in this, he could make another film for Corman from the director’s chair, which would become Grand Theft Auto. The result is a good time with a lot of slapstick comedy and an almost non-stop chase with young Hoover outwitting his dad’s deputies and Big Bubba’s drunken buddies. As with most Corman films, there is a lot accomplished with a little and Griffith brings a light, breezy fun to the proceedings and keeps things moving quickly. It’s silly and goofy, but energetic and there is plenty of stunts and crashes for car chase enthusiasts to enjoy.

Howard plays Hoover much like a grown up version of his Opie Taylor from The Andy Griffith Show. He’s a bit of a country bumpkin, but is clever enough to outwit his pursuers. Howard has charm and is very likable as the rebellious teen willing to do anything for love. Christopher Norris is pretty and spunky as the object of Hoover’s affection, Darlene. The two make an endearing pair as they outwit the nitwits in their county. The supporting cast all have a good time playing their roles with over-the-top, slapstick efficiency, too and it’s fun to watch them. The film also stars Howard’s brother Clint, a known cult favorite character actor himself.

This film is now considered a cult classic and in an indirect way got Ron Howard started on a career as a prolific and highly regarded director. It’s silly, funny and loaded with plenty of chases and crashes. It was a successful film for Corman’s New World Pictures and predated the “redneck” car chase craze started by Smokey And The Bandit by a year. A fun little movie and another example of Roger Corman’s craft as a producer. 7/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a BLOG item 3 months ago

review: THE BORNLESS ONES (2016)


At it’s core, flick is a basically an Evil Dead (both old and new) retread with a group of people in an isolated cabin and an ancient evil taking them one by one. This cabin in the woods horror has pretty Emily (Margaret Judson) moving into a remote house/cabin so she can be near her brother Zack (Michael Johnston), who she is going to send to a nearby institution for his spastic monoplegia, a form of cerebral palsy. Her boyfriend Jesse (Devin Goodsell) is with her and their friends Woodrow (Mark Furze) and Michelle (Bobby T) have come along to help set things up. When they enter the house…which they apparently bought sight unseen…they find evidence some kind of cult ceremony or witchcraft was performed there previously. When they remove some creepy symbol adorned boards, something malevolent moves into the house with them. It first possesses poor Zack, who can now walk and talk…saying scary things, of course…and makes it known that they all shall fall prey to The Bornless. Sound familiar?

Flick is written and directed by Alexander Babaev with very little originality or novel additions to the cabin in the woods sub-genre. Zack’s affliction is one of the scant few original wrinkles and with it does come an interesting element that the demons healed him somewhat to use him more efficiently and there is evidence that this healing power is what provoked the original owner to invoke them. This is, however, for the most part, a retread of a classic using elements from it and it’s remake, thought sometimes effectively and I can’t say it wasn’t somewhat entertaining. Babaev may have little originality in his screenplay, but it’s atmospheric and he does direct some of the zombie/possession scenes well. He also has a good visual eye, too and there are some amusing bits where possessed cabin mates reveal their host’s darkest secrets just to be nasty and where some are visited by ‘spirits’ from their past to taunt them. There is some decent and effective gore, but unfortunately the “bornless” demon spirits are represented by some cheesy CGI and aren’t nearly as effective. The one time Babaev tries to deviate and actually show his demons, is a time he should have taken a cue from Raimi and let our imaginations do the work instead. Sometimes less is more. Thankfully they don’t have all that much screen time.

Cast are all fine. Margaret Judson makes a solid heroine. She nicely conveyed her character’s concern and affection for her illness inflicted brother and that makes her Emily endearing. She also turns into a resilient fighter once things start going bump in the night and proves to be effective final girl material. Michael Johnston was good as Zack. He at first has to emote with very little due to Zack’s condition and then gets to have a little fun once he is possessed and becomes fully functional. He has some creepy moments once things get going. Goodsell is fine as boyfriend Jesse whose deeper secrets and feelings are brought to the surface by the demonic presence and he’s not the person he pretends to be, though that’s not all that much of a surprise. Furze and Bobby T are also efficient as the friends who have secrets of their own and wind up not having a good time at the cabin…if you know what I mean.

I can’t give this flick much credit for originality, as it borrows far more from Evil Dead both past and present than it comes up with on it’s own. There are a few original ideas and they do work, but instead writer/director Alexander Babaev seems content to replay a lot from Raimi’s classic and Alvarez’s remake. It’s a shame. He does show some chops with some effective scenes and some nice atmosphere. A compassionate and strong heroine played by Margaret Judson also helps keep this from being a dull retread and the cast, overall, are fine in their roles. There is some nice gore and the cabin setting works well despite being so blatantly familiar. Ultimately, it’s definitely worth a look and was entertaining, but expect extreme amounts of Evil Dead envy. 6/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 08:16 PM Feb 13

This is the second positive review I've seen . I'll have to give it a look.

MonsterZeroNJ at 09:16 AM Feb 14

Just don't expect much in the originality department.

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