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June 2017

December 27th


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MonsterZeroNJ posted a BLOG item 3 days ago



Keita Amemiya is an artist and designer who got a start writing and directing for TV before breaking into feature filmmaking in 1988 with Murai Ninja, a film that was a mash-up of ancient Japan sword epic and Star Wars-esque sci-fi flick. The film showed evidence of a director still in need of some experience at the helm, but it also had a unique look and design that displayed some interesting potential. Amemiya lived up to that potential in 1991 with the now cult classic Alien, The Thing, Terminator, hybrid Zeiram and hasn’t stopped working since.

Yûko Moriyama was a Japanese TV and movie actress who had a brief acting career from 1991 to 2000. She was very pretty and only five foot four, but could convey a toughness and strength that made her believable as an action star. She worked for Keita Amemiya in three films ranging from 1991 to 1997, including his breakaway hit, Zeiram. In all three she played women warriors and that seemed to get her typecast as such for the rest of her short career. She made an impression, however, that has earned her cult status despite acting for less than a decade.

Zeiram had a beautiful bounty hunter from space coming to earth to hunt a biological weapon which could absorb the genetic material of victims and use it to it’s advantage. That beautiful bounty hunter was named Iria and played by the adorable yet tough Yûko Moriyama, who was twenty-three at the time and it was her first feature film. The flick became an instant fan favorite with it’s live action anime style and the incredible creatures, costumes and gadgets from the mind of Amemiya. It also made an instant cult star out of Moriyama, whose Iria had the beauty of a Japanese anime girl and the kick-ass combat skills of Natasha Romanov. The FX were quite good for a low budget flick, ranging from animation to prosthetics to old fashioned stop-motion. There was plenty of action and the film is now considered a cult classic of Japanese fantasy/sci-fi cinema.

Three years later Amemiya brought his genetic horror back and his leading lady with him, as Iria returned to Earth to battle another Zeiram creature, this time infused into a combat robot. Her A.I. partner Bob was back, too, as well as, her bungling earth sidekicks Teppei (Kunihiro Ida) and Kamiya (Yukijiro Hotaru). Zeiram 2 wisely kept it fresh by having a different look and abilities for it’s title creature and for Iria as well. The sequel once again featured the stunning and unique design work of it’s visionary director and the traditional genre mixing action. Moriyama was sexy and cool as Iria and while the film didn’t quite live up to it’s predecessor, it is still an action-packed, fun flick with the trademark look of an Amemiya film and with bounty hunter Iria being kick-ass as ever. Unfortunatley for fans, it would be another three years before director and actress would team again…

The artistic director and his leading lady worked together one last time, but sadly not a third go around for his heroine from space, Iria and her arch enemy. Moon Over Tao took place in feudal Japan with an object falling to earth that contains a hideous and almost indestructible creature that would kill anything it crosses paths with if unleashed. The ever-pretty Moriyama plays not one, but three alien women, Abira, Marien and Kuzto, who all have come to Earth to reclaim the object for their own personal reasons. The actress doesn’t disappoint, being beautiful and badass as usual. Amemiya would provide yet another entertaining genre mash-up with three times the Moriyama. The flick is a gory good time and once agin has some very unique design work, but still doesn’t quite equal the fun and action of his 1991 cult classic.

Keita Amemiya continues to write, direct and design for films, TV and video games to this day. Moriyama apparently retired from acting after 2000 with her final film being a Hong Kong flick set partially in Japan called Tokyo Raiders. The actress is still a cult favorite among fans for her portrayal of Iria and it’s disappointing that she left acting so soon and never reunited with Amemiya at least one more time to make the Zeiram flicks a trilogy. Their collaborations are available on DVD and for those looking for more, there was a Zeiram animated prequel series that brought the titular creature and a younger Iria back, though Amemiya and Moriyama were not involved.

-MonsterZero NJ

Mood: Chillin'

timmyd at 07:07 PM Jun 21

interesting . I'll have to look for these .

MonsterZeroNJ posted a BLOG item 10 days ago

review: RETURN TO HORROR HIGH (1987)


Ho hum horror/comedy is most notable for having future A-lister George Clooney in a small role and being a good example of how silly and self aware a lot of horror flicks got at this point in the decade. (for more on that subject click HERE). Flick tells the story of a film crew filming a movie about a series of murders that occurred a few years earlier at the now abandoned Crippen High School. They are filming at the actual site of the murders, despite that the killer was never found and now someone stalks the cast and crew, killing them off in gruesome ways.

Directed by Bill Froehlich from a script by he and three other writers. It’s understandable that to be a parody of slashers you kind of have to basically be one but this flick fails at both. It’s fractured narrative doesn’t help, going back and forth between the aftermath of the murders and back to the killings as they happen, letting us know right off the bat who survived and who didn’t, eliminating any suspense, if they were even attempting any. The deaths are bloody, yet nothing really special and the comedy mostly falls flat. Even the 80s nostalgia can’t really help other than seeing a very young Clooney and The Brady Bunch’s Maureen McCormick, as a female police officer who seems to love her job a bit too much. The acting overall is deliberately over-the-top and even the big multiple reveals at the end don’t really shock or surprise. It’s hard to tell just how much it was supposed to be horror and how much it was supposed to be a parody as the mix is uneven and it goes back and forth between the stale jibes at traditional slasher film tropes and it’s attempts to actually be one. All that criticism aside, it’s also simply kinda dull and predominately unfunny.

As much as I love 80s slasher/horror/sci-fi flicks, this one did little for me. Clooney doesn’t last long enough to really make it worth sitting through and the jokes fail far more often than not. The attempts at being a real slasher mix unevenly along with the satire and aside from abundant bloodshed and a multiple reveal ending, Return To Horror High is a horror/comedy which one may not feel the need to return to, even with the 80s nostalgia. Also features a small role from 80s flick babe Darcy DeMoss as…no surprise here…a cheerleader. 5/10

-MonsterZero NJ

Mood: Bored

Moviefreak2010 at 06:32 AM Jun 15

need to see

timmyd at 07:26 PM Jun 15

way to uneven for me . not a fan.

MonsterZeroNJ posted a BLOG item 12 days ago



The Birthday Massacre is one of my favorite bands and they have released their latest album, Under Your Spell, three years after 2014’s awesome Superstition and it is another solid album from a band that have yet to disappoint. The Canadian Goth rockers lead by front woman…and now, author…Sara “Chibi” Taylor deliver 11 solid tunes in the Birthday Massacre style that should delight their fans just as the previous album did. This album is named after the second track on the disc, a beautiful and melodic song about a painful love and the regret that comes with it. It is one of the best tunes on a consistently engaging album. The album starts out with the moody One before giving us our title song and then moves on to the slightly more guitar heavy All Of Nothing before launching into the remaining tunes. While each song is worthy of being a favorite, other stand-out tunes are Counterpane, Games, Hex, No Tomorrow and the final track Endless, another personal favorite on this album and a great way to close it out. The songs are once again produced by band members Rainbow and Michael Falcore, who co-wrote them along with Chibi and Aaron J. Cunningham with Matthew O’Halloran contributing as well. The songs are filled with darkly poetic lyrics, such as “A bed of nails beneath these sheets” and “You were like a dream because you never came true”, that not only tell a somber tale but evoke haunting imagery when listened to with the lights dimmed and the mind free of distraction. Chibi’s vocal range is used to full effect again taking us from soulful, to haunting, to a chilling growl…like on No Tomorrow…depending on what she needs to convey. Her musicians’ contributions are all strongly present with current line-up: Rainbow on rhythm guitar and vocals, M. Falcore on lead guitars, Rhim on Drums, Owen on keyboards and Nate Manor on bass. All first-rate musicians who collaborate to form this gothic/rock band’s unique and multi-layered sound that once again permeates Under Your Spell. Another quality disc from a band who have, so far, delivered on each album they’ve released…and are great live, if you are interested in checking them out!

-MonsterZero NJ

Track Listing

1.”One” 3:35

2.”Under Your Spell” 4:31

3.”All Of Nothing” 3:31

4.”Without You” 4:42

5.”Counterpane” 3:32

6.”Unkind” 3:56

7.”Games” 3:40

8.”Hex” 3:37

9.”No Tomorrow” 3:20

10.”The Lowest Low” 3:54

11. “Endless” 3:14

Mood: Happy

MonsterZeroNJ posted a BLOG item 15 days ago

review: BLUE MONKEY (1987)


Giant insect thriller is definitely Alien inspired as it has an elderly man being admitted to a hospital after receiving a prick on the hand from an exotic plant owned by his neighbor. The bacterial infection spreads to others and soon the old coot is coughing up a slimy larvae that has the hospital staff baffled. Meanwhile the outbreak gets the hospital sealed off for quarantine and some pesky kids from the pediatric ward feed the larvae some growth hormones…still with me, folks? The insect-like creature grows to human size and hooks up with another critter to mate…all with patients and doctors alike trapped inside the hospital with it. Now it’s up to a pretty doctor (Gwynyth Walsh) and a hard nosed detective (Steve Railsback) to stop this critter before it multiplies.

Aside from the 80s nostalgia this is a dull Alien retread where this big bug goes around cocooning hospital staff and patients so it’s mate can feed them to her young…and maybe I blinked and missed it, but how the giant bug happened upon an equally giant female is a bit of a mystery…to me anyway. In my defense the movie had trouble holding my attention. The flick gets it’s odd name from a comment made by one of the children and certainly is confusing to anyone actually hoping for a blue anthropoid as their main bad guy. This rip-off, more wisely called Insect in other parts of the globe, is credited to writers George Goldsmith and Chris Koseluk who’s unimaginative script is directed very by-the-numbers by William Fruet, who also directed the low key but more effective Funeral Home. There is little suspense and most of the action comes in the last act. There is some OK gore and the creature FX are delightfully plastic looking, but at least creature actor Ivan E. Roth is given top billing in the end credits. Most of the time FX actors are usually a footnote somewhere, so give the filmmakers credit for that. The rest of the acting, including that of veteran John Vernon, is strictly pedestrian so why not give the creature guy top credit, anyway.

Obviously, I wasn’t impressed when I first watched this many years ago as not much registered on this revisit. The film is very dull and even the rubbery make-up and monster FX couldn’t add much charm to this Ridley Scott rip-off. There is a touch of 80s nostalgia, but otherwise this was kind of a snooze-fest despite generous helpings of monster action in the second half. Probably would have been a lot more fun if the critters actually were blue monkeys!

-MonsterZero NJ

Mood: Bored

MonsterZeroNJ posted a BLOG item 16 days ago

review: TANK 432 (2015)


Mildly spooky thriller has a group of mercenaries coming under heavy fire and taking shelter in a tank. The longer they stay locked inside, the more they begin to realize the enemy outside is the least of their worries.
Written and directed by Nick Gillespie this is a fairly routine horror that sadly becomes more familiar the more it tries to be clever. We can guess the Twilight Zone-ish reveal coming a mile away and despite a few spooky moments, we definitely get the feeling we’ve seen this all before…though, admit-tingly not in a tank. The cast are all fine, though none really make an impression and Gillespie never really takes full advantage of the claustrophobic tank interior setting. Forgettable despite what could have been an intriguing premise. 5/10

-MonsterZero NJ

Mood: Bored

MonsterZeroNJ posted a BLOG item about 1 month ago

review: THE DEVIL'S DOLLS (2016)


Silly but amusing flick has a cop, Matt (Christopher Wiehl) gunning down a serial killer and taking the killer’s Guatemalan Worry Dolls into evidence. Upon visiting his ex-wife’s (Samantha Smith) house, his little girl (Kennedy Brice) sees the dolls in his car and takes them. The dolls are possessed by the killer’s evil essence and now anyone who comes into possession of one gets possessed themselves and kills…still with me? Now Matt must recover the dolls before more people meet gruesome ends and free his daughter of the killer’s spirit.
Directed by Padraig Reynolds from a script by Danny Kolker and star Christopher Wiehl, it feels like someone read about Guatemalan Worry Dolls and cobbled together a story to use them. The result is a hodgepodge of a horror mixing possessed dolls, possessed people and a Guatemalan witch doctor (Tina Lifford) living in the middle of the woods (for exposition, of course) in a shack bigger than most people’s condos. If the film has a strong point, it is that there is plenty of gore and it is well rendered and quite abundant and somehow director Reynolds seems to keep the silliness somewhat amusing for the flick’s 85 minute run. It’s never scary, though never boring either. An unintentionally goofy flick and on that level it does entertain despite how bad it all really is. 5.5/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a BLOG item about 1 month ago



The Disappointments Room is exactly that. Kate Beckinsale stars as architect, wife and mother, Dana, who is moving into a rural country home with her family. Exploring her new house she finds it has a hidden locked room in the attic. Research reveals it’s a disappointments room…a room where well-to-do families hid deformed or handicapped children, to live out their lives in secret without ’embarrassing’ their families. Dana, having lost one of her own children, is especially disturbed by this and starts to see and be haunted by visions and apparitions of a past family and their deformed daughter. Is she just experiencing delusions caused by grief over the accidental death of her baby daughter, or is she really being haunted?

Directed by D.J. Caruso (Disturbia), from a script by he and Wentworth Miller, this is an incredibly generic ghost story. All the well-worn clichés are present, such as Dana being the only one who sees these apparitions and the husband (Mel Raido) leaving mid-haunting to go away for a few days with the haunted wife now home alone with her son (Duncan Joiner). Beckinsale really tries hard here to give her emotionally strained mom some depth, but the incredibly bland script doesn’t give her much to work with. Raido’s husband is the typical doubter who believes it’s all in his wife’s head and there is the stereotypical young, hunky handyman (Lucas Till) to hit on Beckinsale’s hot mom, in a sub-plot that goes nowhere. Caruso directs competently, but achieves only a few spooky moments and holds our interest only by a thread. Bland and very familiar. 5.5/10
-MonsterZero NJ

Mood: Bored

MonsterZeroNJ posted a BLOG item about 1 month ago

review: FELT (2014)


Amy (Amy Everson) is a young woman who has been emotionally damaged by a past sexual trauma. She expresses her pain and anger through her art which includes creating strange costumes and acting out in them. Things start to brighten up for Amy as she meets Ken (Kentucker Audley), a man who seems to like the young woman for who she is and be sympathetic to her past hurt. But can Amy have a normal loving relationship or will her inner pains be unleashed with tragic results?

Indie flick is co-written by star Everson with Jason Banker, who also directed and is a disturbing and sad portrait of the effects of sexual trauma such as rape. What makes the film work despite heading towards a predictable conclusion is that Amy comes off as quite sympathetic, despite her eccentric and disturbing behavior. We don’t get specific details about what happened to her, but do know enough to understand her defensive and aggressive behavior towards men and feel saddened by how this hurt has damaged her and how it has shaped her current personality. We also feel hopeful for her relationship with Ken, despite knowing deep down this will not end well. An effective little film about the horrible effects of sexual trauma and a society which all but ignores it, that isn’t quite horror, though isn’t quite straight-up drama either. There are good performances from the cast, too, especially Everson who manages to make Amy very likable and sympathetic despite her sometimes creepy, yet understandable, behavior. 7/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a BLOG item about 1 month ago



In the pages of this autobiography from legendary film producer/director Roger Corman, he tells firsthand of his journey to becoming one of the most successful filmmakers of all time. He details his humble beginnings in Detroit to his family’s move to Beverly Hills then on to college and his first job at a major studio where the film-making bug first bit. He shares with us how he cleverly financed his first film The Monster From The Ocean Floor and thus began his prolific…and sometimes tumultuous…career as a director and producer. Corman takes us on a fun ride of clever financing, seat-of-your-pants film-making, world travel, giving first opportunities to many future stars and legends and even some of the lovely ladies he met making movies, including his wife Julie. It’s a vastly entertaining book from the man himself detailing how he was able to beat the Hollywood system and become the film geek, household name that he is. The book traces his life and career up to the point where he returned to directing after a long hiatus to helm Frankenstein Unbound, which, as of now, stands as his last full length feature as a director.

As a huge fan of Corman, I had a blast with this book. The master producer details how he produced films his way and rarely had a box office disappointment in his illustrious career. He gives generous details on the making of such early classics as It Conquered The World and Not of This Earth to some of the New World classics such as Death Race 2000 and Piranha. We get anecdotes from some of the talents who got their start with Corman and went on to be legends themselves like Joe Dante, Francis Ford Coppola and Sylvester Stallone and also from Corman regulars like Dick Miller, Chuck Griffith and Beverly Garland. It’s a humble telling of a fascinating life from the man who lived it and a host of people who had the honor of working for/with him. If you are a fan of Roger Corman and his films, it is a must read. If you are simply a fan of movies and the film-making process, I still highly recommend you hear these great tales about one of Hollywood’s greatest maverick film-makers from the man himself and some of those who joined him on his ongoing journey. 8/10

-MonsterZero NJ

Mood: Happy

MonsterZeroNJ posted a BLOG item about 1 month ago

review: A DARK SONG (2016)


Irish horror presents the story of the grieving Sophia (Catherine Walker) who has hired occult expert Joseph (Steve Oram) to perform a series of dark rituals so that she may speak with her dead son. The rituals are grueling and take an emotional toll on both participants. Nothing will prepare them, however, for what they will meet when the rituals start to take effect.

Written and directed by Liam Gavin this is a tense and atmospheric chiller that presents black magic rituals with a far more grounded and realistic approach than the usual theatrics. Gavin focuses mainly on his two leads and adds to the tension by having them become more and more confrontational as impatient Sophia doesn’t feel the rituals are working and Joseph doesn’t feel Sophia has been honest about her intent. It’s an interesting character study under emotional and supernatural duress as Joseph becomes more abusive to keep Sophia following the procedures and Sophia becomes more and more desperate to accomplish her goals. There are also some very spooky moments as signs appear that the barriers between worlds are coming down and thus otherworldly things are coming in. This leads to a last act which can be outright scary at times and surprisingly sentimental at others. Gavin has a very good visual eye, via Cathal Watters’ cinematography and uses the old house setting to maximum effect. There is also a really haunting score by Ray Harman, that rivals last years The Witch score by Mark Korven. If there is anything that holds the film back a bit is that the middle section drags somewhat, as the film is already moderately paced. The antagonistic relationship between Joseph and Sophia also starts to wear out it’s welcome as Joseph’s methods and demeanor towards Sophia start to become borderline cruel. Just at the point where one starts to feel the film’s grip slipping, the walls come down and the things that go bump in the night come knocking. The last act does deliver the goods and a few unexpected surprises as well.

As for the minimal cast, both leads are very good. Walker plays a grieving and desperate woman quite skillfully. we sympathize with Sophia even if she is dabbling in some very dark arts to see her child one last time. She has a few secrets and over the course of the film, Walker does strong emotional work revealing them. Steve Oram is equally solid as Joseph. He can be a cruel and mean person when he feels Sophia is straying off the path, but Oram and Gavin’s script also give glimpses to a more likable person under the surface. He is driven but human and he is never portrayed as a bad guy. Good work by both cast members.

Overall, I liked A Dark Song and was especially intrigued by it’s more realistic approach to dark magic rituals. There are some genuinely scary scenes and the film is always atmospheric. If the film has any flaws, it’s that the bickering and abusive behavior between Sophia and Joseph starts to wear on one after awhile and the middle of the film, where much of this occurs, drags a bit before the film’s spooky last act kicks in. There is an intensity about the film and some surprising sentimentality, too, though the methodical pace might not be everyone’s cup of tea. Maybe it doesn’t quite live up to early word and I didn’t love it as much as I’d have liked, but it’s a starkly original take on occult thrillers and certainly worth a spooky look. 7/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 07:36 PM May 01

looking forward to this.

MonsterZeroNJ posted a BLOG item about 1 month ago



1957 was a busy year for producer/director Roger Corman and this is another of his cult classics. This flick finds a group of scientists and navy men going to a deserted island to study the effects of H-bomb test fallout. One of the side effects of the nuclear dusting is some of the crabs have mutated to giants the size of Cadillacs and with the power to absorb the minds of their human food. Can this group survive as the colossal crabs decimate their number and steal their brains?

Giant mutated crabs would have been enough for most filmmakers during the 50s nuclear age cinema, but Corman had to give them the ability to absorb and use peoples minds, too. The sheer audacity of it alone may explain why this was a big hit for the producer. This was another movie Corman directed from a script by frequent collaborator Charles B. Griffith and once again he takes his subject matter seriously even though our main attractions are giant talking, brain sucking crabs. Corman gives this one a fairly fast pace, it is legitimately spooky at times and has a healthy does of intensity. The serious tone from both director and his cast…including future “Professor” from Gilliagan’s Island, Russell Johnson…helps the audience take our crustacean bad guys more seriously. As for the creatures, they actually don’t look that bad considering this is a low budget film and Corman keeps them hidden till the last act. As silly as the plot may sound, this is actually a decent horror flick despite the outrageous plot elements and Corman’s thrifty style makes good use of minimal sets and outdoor locations. There is also a bit of a charming cheese factor, but it’s a lot better than one might think and about the best a talking giant crab movie may ever get. One of Corman’s better low budget black and white efforts.

I was very amused by this one upon the revisit. It wasn’t as silly as it could have been and Corman took his audacious plot and ran with it. By the time we meet our villains they have been given enough of a threat factor to make them work, despite they are talking paper mache crabs. A fun and surprisingly effective atom age monster movie from Roger Corman. 6.5/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 07:25 PM Apr 28

awesome . so much fun.

MonsterZeroNJ posted a BLOG item 2 months ago



I recently began reading Roger Corman’s autobiography How I Made A Hundred Movies In Hollywood And Never Lost A Dime and it made me want to revisit some of his earliest films that I first saw on TV’s Chiller Theater and Creature Features as a kid.

One of Corman’s earliest flicks as a producer and director, this thriller tells the story of an alien invader from Venus, who isn’t particularly happy that earth has started sending satellites into space. It comes here to invade using bat-like creatures to take over people’s minds and with the help of bitter earth scientist, Dr. Tom Anderson (Lee Van Cleef) who believes earth needs ‘saving’ by this higher intelligence. Standing in the way of this nefarious plot is scientist Dr. Paul Nelson (Peter Graves) along with some feisty heroines and the usual soldiers and military types that populated films of this era.

Corman directs with a serious hand, from the script by Lou Rusoff and frequent Corman collaborator Charles B. Griffith, despite that his creature looks like a combination of cucumber and crustacean. He shot it in about two weeks on a budget far lower than the average Hollywood flick of the time and the production looks better than one might expect due to Corman thriftiness. While the creature FX are cheesy and the dialogue equally so, it ads charm to a fun movie, all the more amusing for taking itself so seriously despite it’s outlandish plot and monster. Corman gets good work out of his cast, which also includes frequent Corman actress Beverly Garland (Swamp Woman, Not of This Earth) and Sally Fraser, who was in such cult classics as Earth vs. the Spider and War Of The Colossal Beast. The film, due to it’s small budget, does focus more on character drama than creature hi-jinx, but it’s atmospheric and keeps one interested till the military finally take on the alien dictator in true 50s creature feature fashion. There is also a very effective mood building score by Ronald Stein who composed for many a Corman classic. If you love the sci-fi flicks of this decade, this is one of the classics and an early example of the low budget entertainment that made Roger Corman one of the most successful producers of all time and an underrated director.

I had a fun time watching this again. It’s judged due to it’s cheesy creature, but the monster has become iconic, representing the creature features of the 50s and the film is better than it is given credit for. It obviously influenced future alien invader flicks, just look at Without Warning’s flying creature weapons as a perfect example and as usual with a Corman production, features future stars like Van Cleef and Graves. Corman is now a legend for making these kind of inexpensive but profitable features and who cares if it’s title monster looks like it could hide in a salad bar or seafood buffet. A fun example of what made the 50s era monster flicks so endearing. Also features frequent Corman actor, the legendary, Dick Miller as a soldier. 6.5/10

-MonsterZero NJ

Mood: Happy

timmyd at 07:25 PM Apr 25

I remember seeing this when I was a kid on the Saturday afternoon creature feature . And loving it.

MonsterZeroNJ posted a BLOG item 2 months ago

review:MST3K: THE RETURN (2017)


Mystery Science Theater 3000 was created by Joel Hodgson and originally ran for ten seasons from 1988 till 1999 and was a beloved show for movie geeks everywhere, as it playfully skewered some of the worst cult classics and B-movies of all kinds. The format had a working stiff (originally series creator Joel Hodgson and then Mike Nelson) being kidnapped to a satellite in space and forced to watch some of the worst films ever made. The subject and a group of robots would then comment on these films as the series’ villains observed and routinely tried to make things miserable for our heroes. Fans have missed the show since it’s cancellation and were overjoyed to find out that Netflix was reviving it.

Premiering on Netflix streaming this April, the new series follows the same plot with newcomer Jonah (comedian Jonah Ray) being the newest test subject under the watchful evil eye of Kinga Forrester (Felicia Day), daughter of original series villain Dr. Clayton Forrester and Max (Patton Oswalt), otherwise known as The TV Son of TV’s Frank, offspring of original series villain TV’s Frank. There are fourteen new episodes featuring fourteen bad movies to which our hero, along with robots Gypsy, Tom Servo, Crow and Cam-bot, watch and mock while Kinga and Max do their best to make Jonah crazy…all with mostly hilarious results.

The revived series certainly is a welcome return and, for the most part, can be as funny as the original show. As with all the other seasons, there are some strong and hilarious episodes and some which are just OK. The key here is the movies have to provide the crew with something to work with. The funniest episodes of the new season, such as premiere episode Reptilicus, Time Travelers, Starcrash, The Land That Time Forgot and the season finale At The Earth’s Core all provide material that is ripe for commentary and the writers certainly take the ball and run with it. Then there are movies which are just bad, like Cry Wilderness, the first hour of Beast From Hollow Mountain, Wizards of the Lost Kingdom and Carnival Magic, which are so bad that Jonah and the boys struggle through them to keep the comments coming and funny. If the movie they’re watching is boring, there isn’t much the crew can do. Thankfully, the episodes that do work…and more do than don’t…hilariously make up for the few where laughs and fun are scarce. As with the previous seasons, there are movie geek references galore, such as Kinga’s house band looking delightfully like Infra-Man’s skull soldiers and meta references to previous episodes.

The cast are all having a blast and it shows. Jonah Ray is a suitable replacement for the earlier Joel and Mike. He’s a likable lug and fits the part well. Felicia Day is having a blast as Kinga, a cross between Cruella Deville and Veruca Salt. Day knows how to ad camp in just the right amounts and to dial up just enough villainy so Kinga stays a fun bad girl, like her predecessors and doesn’t tip over into unlikable. Patton Oswalt is equally successful as the bumbling Max…who has a crush on Kinga, which she obviously ignores…and is not quite such a bad guy as his boss lady…though he is trying. The robots’ voice actors all do a good job with instilling them with personality, although they are the same characters from the original show, so they don’t have to work as hard to establish themselves like out new leads. There are also cameos from original series characters and actors and some amusing appearances from famous faces such as Mark Hamill and Jerry Seinfeld.

Overall, this is a very happy return for a personal favorite show. The new cast and characters are likable and fit in with the show’s established style and the old format still works and works well when given material ripe for the picking-on. There are a few yawn inducing episodes, when the movie itself is dull and not even funny in the wrong way, but when the movie is the right kind of bad, the episodes measure up to some of the previous series best on equal footing. Welcome back MST3K!…and when can we expect season 12???


(Rating the show by episode instead of the usual overall rating)

Reptilicus – 3 and 1/2 stars
Cry Wilderness – 2 and 1/2 stars
Time Travelers – 3 and 1/2 stars
Avalanche – 2 and 1/2 stars
The Beast of Hollow Mountain – 3 stars…the last 1/2 hour was very funny
Starcrash – 3 and 1/2 stars
The Land That Time Forgot – 3 and 1/2 stars
The Loves Of Hercules – 3 stars
Yongary – 3 and 1/2 stars
Wizards of the Lost Kingdom – 2 and 1/2 stars
Wizards of the Lost Kingdom II – 3 stars
Carnival Magic – 2 and 1/2 stars
The Christmas That Almost Wasn’t – 2 and 1/2 stars
At the Earth’s Core – 3 and 1/2 stars

-MonsterZero NJ

Mood: Happy

MonsterZeroNJ posted a BLOG item 2 months ago

review: DIG TWO GRAVES (2014)


Not really a horror film, but more like a rural mystery/thriller with a thin layer of the supernatural. The film takes place in a community in the Illinois mountains in 1977 and finds young Jake (Samantha Isler) mourning the loss of her brother Sean (Ben Schneider), who drowned while diving into a local quarry. A tragic event for which Jake feels guilty. Three mysterious men appear to Jake and tell her that they have the power to bring Sean back, but someone must take his place, namely her classmate Willie (Gabriel Cain). Unknown to the girl, the motivations of these men involve Jake’s sheriff grandfather (Ted Levine) and a possible quest for revenge that’s taken 30 years to unfold.

This is an impressive debut from Hunter Adams from a script by he and Jeremy Phillips, that is loaded with atmosphere. The film plays like a dark fable as we start out with a glimpse of something awful taking place in 1947 then are introduced to Jake thirty years later as she loses her only sibling. From then on we meet the mysterious Wyeth (Troy Ruptash) and his two brothers, who claim to have the power to bring Sean back…but at a price. As we progress forward with Jake’s moral dilemma, Adams also takes us back thirty years with flashback’s told through the eyes of her grandfather Sheriff Waterhouse (Levine) to slowly, over the course of the film, reveal what got us to this point and how all the dots connect. It’s all done with the aura of dark magic and something slightly supernatural going on and in just the right doses to keep us on edge, but not tip into full blown horror. The film stays somewhat grounded in reality which makes the moments that hint of something otherworldly all the more unnerving. The film sometimes evoked the rural set Winter’s Bone, but with a hint of dark fantasy that keeps us uneasy throughout. It takes till the very last scenes for all the pieces to come together and the climax will stay with you after the film is over.

Adams also gets very good work from his cast, especially his two leads. Veteran Ted (Silence Of The Lambs) Levine is very strong as Jake’s grandfather Sheriff Waterhouse and really creates an effective portrayal of a good man haunted by past events and wanting to protect his granddaughter from them. Samantha Isler gives a powerful performance as a young teen wanting to correct something she feels is her fault, but tormented by the moral implications of it’s solution. The young actress is a talent to keep an eye on. There is also Troy Ruptash as the creepy Wyeth. Ruptash gives the man a sense of power and menace with an aura of someone with dark powers beyond being just potentially lethal. Rounding out is Danny Goldring as former Sheriff Procter. Procter is a man with skeletons in his closet, skeleton’s he might kill to keep hidden and Goldring gives him that sense of a man desperate to keep something hidden.

This was an atmospheric thriller with a constant feeling of foreboding and an undercurrent of dark magic and possibly the supernatural. It’s a slow burn mystery that unravels at a deliberate pace and takes you on a journey both forward and backward in time to tell us it’s complete story. It has some very strong guidance from it’s first time director and excellent work from a good cast to punctuate the script and direction. The film was first released at film festivals in 2014 and finally gotten a limited release three years later. Another film given the attention it deserves by Executive Producer Larry Fessenden! Highly recommended! 7.5/10

-MonsterZero NJ

Mood: Surprised

timmyd at 07:22 PM Apr 13

sweet . definitely checking this out.

MonsterZeroNJ posted a BLOG item 2 months ago

review: THE VOID (2016)


The Void is not only a trippy tribute to horror films of the 80s and the practical make-up and gore effects used in them, but a bloody good time and a creepy monster flick in it’s own right. The film opens with a young couple being chased by two men, with the man (Evan Stern) barely escaping and the woman being shot and then brutally burned alive. The man is found by local policeman, Dan (Aaron Poole) and brought to a nearby hospital that is in the process of closing down after a recent fire. There the cop and minimal staff and patients find the building soon surrounded by mysterious and lethal hooded figures, while inside it starts to turn into a house of horrors, as staff murder patients and the dead return to life transformed into creatures from out of a nightmare. Can Dan, his nurse wife Allison (Kathleen Munroe) and the remaining survivors figure out what is happening and how to get out alive?

Written and directed by the team of Steven Kostanski and Jeremy Gillespie, this is a mash-up/homage to the films of John Carpenter and Stuart Gordon, among others. There are elements of Assault On Precinct 13, The Thing, In the Mouth Of Madness, as well as Re-animator, From Beyond and a host of other cult classics. But Kostanski and Gillespie make it their own with their tale of other dimensions and nightmarish activities and the film is filled with some really unsettling imagery and a host of practical creatures and gore, along with it. The story itself is a bit convoluted at times and the filmmakers don’t spoon feed you everything, but that works far more in the film’s favor than it doesn’t. It’s a disturbing ride, loaded with atmosphere and we do gradually find out enough of what’s going on to satisfy, as the deliberately moderate pace carries us to an unsettling conclusion right out of Fulci’s The Beyond. Sure the acting is a bit wooden here and there and the FX are a bit rubbery, but it’s the charm of what the filmmakers are trying to do and of the many cult classics they evoke, that makes it so enjoyable and fun. Not to mention the filmmakers do conjure some of their own goosebumps along the way. It may not make total sense, but it is enjoyably creepy and when the gore hits the fan, it hits delightfully hard and spatters everywhere. There is some effective cinematography by Samy Inayeh and a cool soundtrack by Blitz//Berlin, who did the soundtrack for Extraterrestrial.

I enjoyed this love letter to many a classic 80s film, including Galaxy Of Terror…which I just re-watched…yet one that didn’t loose it’s own identity. It’s a weird flick that is part Lovecraft, part Carpenter with a few other pinches of famous names of horror thrown in. It has some effectively designed creatures and some delightfully gory moments and gives us some spooky visuals along with the thrills and chills. You may scratch your head a bit here and there, but it’s fun throwback that may have introduced us to two filmmakers to keep an eye on. Also stars Art (Black Christmas, The Brood) Hindle as a state trooper and Scott Pilgrim’s Ellen Wong as an intern in over her adorable head. 7/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 06:57 PM Apr 12

so stoked for this one . can't wait.

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