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October 2017

December 27th


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Wow, three of what I consider to be the greatest directors in horror haves died in just the last few years. RIP Craven, Romero and Hooper!
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Super Schmoe
MonsterZeroNJ posted a BLOG item 3 days ago

review: CLOWNTERGEIST (2017)


This is one of those low budget efforts that has it’s heart in the right place and really tries, but unfortunately falls short, even thought you are rooting for it. Story finds pretty young Emma (Brittany Belland) being stalked by a demon possessed clown in her small boring town. Not the kind of excitement she was hoping for, especially as clowns are not Emma’s favorite thing.
Flick is directed by Aaron Mirtes from a weak script by he and Brad Belemjian. The story never really comes together even after a last act reveal and the editing is very choppy making one wonder what is exactly going on at times. Despite these flaws in the film-making process, Mirtes tries hard and does get a few effective moments even if Ribcage the Clown (Eric Corbin) is not as scary as we’d like him to be. The cast seems to be having a good time, especially perky lead Brittany Belland and that helps a little with the flick’s creative flaws. Also stars Monica Baker and Sean Patrick Henry as Emma’s co-workers and friends. 5.5/10

Mood: Chillin'

MonsterZeroNJ posted a BLOG item 5 days ago

review: BODY BAGS (1993)


Body Bags is a made for TV anthology the was produced, partially directed, and hosted by the great John Carpenter for Showtime in 1993. It’s an anthology of three unrelated stories linked by a morgue set framing segment with a creepy attendant (John Carpenter) relating the stories behind his latest corpses.

The first story is directed by Carpenter and is the best. The Gas Station is set in Haddonefield and finds a pretty night shift gas station attendant (Alex Datcher) on her first night of duty with a serial killer on the loose. It’s a spooky and suspenseful segment with Robert Carradine and David Naughton also starring and fun cameo appearances by the likes of Wes Craven and Sam Raimi along with Carpenter regulars Buck Flower and Peter Jason.

Second story is also directed by Carpenter and is sadly the weakest. The satirical Hair tells the story of vain middle aged Richard (Stacy Keach), who is frantic over his thinning hair. His sexy girlfriend Megan (Sheena Easton) doesn’t mind, but Richard is desperate. He turns to a TV pitchman, Dr. Lock (David Warner) who claims he can regrow lost hair with a revolutionary new process. Richard goes for it, but to his horror finds out you must be careful what you wish for, as his new hair seems to have a life of it’s own. Segment is well done, but more humorous and silly than scary. The segment also stars legendary singer Deborah Harry as a sexy nurse.

Third and final segment rebounds a bit with Tobe Hooper’s Eye. This segment finds minor league baseball player and expectant father Brent (Mark Hamill) loosing one of his eyes in a car accident. His career potentially over, he turns to a Dr. Lang (John Agar) who claims he has a new eye transplanting procedure that he’d like to try on Brent. His sight is restored, but while on recovery he starts to have strange visions and his behavior begins to change. Soon he finds out that his eye belonged to a serial killer and that killer might still somehow be possessing his eyes new owner. It has some very effective moments, a good performance by Hamill and some decent gore. Segment also stars singer/actress Twiggy as Brent’s wife and the legendary Roger Corman as Brent’s original doctor.

The three stories and wraparound were written by Billy Brown and Dan Angel and they could have used a bit more inventiveness, especially with the story similarities within the last two tales. Nonetheless they are all entertaining and with such guidance as Hooper and Carpenter, make for an entertaining enough 90 minutes. Carpenter seems to be having a blast playing the morgue attendant and his first segment shows he still has that magic. Originally this was intended to be a series, but for whatever reasons, it never happened beyond this initial flick. 6.5/10

-MonsterZero NJ

Mood: Chillin'

grelber37 at 04:30 PM Oct 17

Body Bags makes a Halloween night even better. I have watched it with friends on an October 31st after partying.

timmyd at 08:32 PM Oct 17

I had a good time with it . Love me some Horror Anthology flicks.

MonsterZeroNJ posted a BLOG item 13 days ago

review: BETTER WATCH OUT (2016)


Holiday set flick has pretty babysitter Ashley (Olivia DeJonge) going to babysit for twelve year-old Luke (Levi Miller), who has had a crush on her since they first met. As the evening progresses, it seems someone is stalking the house. Ashley goes into protective mode, but as things start to appear that they are not what they seem, Ashley finds she may need more protection from those already inside the house than anyone trying to get in.

Christmas chiller is directed by Chris Peckover from a script he wrote with Zach Kahn and despite a twisted sense of humor, it has a mean streak at it’s core. That’s not necessarily a bad thing, unless you’ve dated DeJonge’s baby-sitter, as diabolical Luke is eliminating any competition. The film starts out with a sense of whimsy, but once we find that Luke has sinister plans for the pretty Ashley and anyone who has recently dated her, then the movie takes on a more appropriate dark edge. The whimsy does still remain at times, though restrained a bit more than the first act and as the tone of the material has changed, that is just fine. The Christmas setting does keep the flick from getting too dark and Peckover knows enough to keep the violence from getting too vicious. This prevents the flick from ever becoming a outright torture show, despite poor Ashley being confined to a chair with tape over her mouth for most of the second half, as Luke becomes a pontificating and smug villain complete with sidekick (Ed Oexenbould). While it is twisted fun, the humor and darker elements don’t always mix as well as they should and Ashley seems to be a little too calm at times, for a teenager tied up at the mercy of a quite deranged tween. Even when the blood starts to spill, she seems to remain quite composed, despite this not being the traditional, harmless “tie up the babysitter” hi-jinx. It might have made this a bit more intense if she was a little more scared at first, though it is entertaining to watch her try to outwit her captors and escape.

The cast are good, especially for young actors handling this kind of material. Olivia DeJonge makes a feisty and very likable heroine as Ashley. She’s sweet, but has a strength to her that would make her good final girl material, if this was a straight-up horror. While it might have served the film better for her to show a little more fear at first, her defiant stance and maintaining a cool head during her ordeal makes for an endearing character as conveyed by the actress. Levi Miller is fun as the twisted and deviously smart Luke. He does a good job taking Luke from love-struck teenager, to deranged homicidal maniac gradually over the course of the film as the character slowly reveals his true nature and intentions. While he never goes over-the-top, he does chew the scenery as well as a twelve year-old villain can. Ed Oexenbould is amusing as Luke’s in-over-his-head sidekick Garrett, who has no idea just how demented his friend is. Rounding out the cast are vets Virgina Madsen and Patrick Warburton as Luke’s parents and Dacre Montgomery and Aleks Mikic are Jeremy and Ricky, two of Ashley’s ex’s who feel Luke’s wrath.

Overall, this is sort of a holiday version of The Loved Ones, with the roles reversed and a lot less physical torment. Like that film it has a twisted sense of humor to it and the Christmas setting does ad a touch of whimsy to the proceedings. Not everything works, but it succeeds far more than not. A twisted and fun holiday thriller with a good cast. 7/10

-MonsterZero NJ

Mood: Chillin'

LelekPL at 09:32 AM Oct 09

I wanted to punch that kid in the face SOOOOO much. He's just slightly under Joffrey in that department.

MonsterZeroNJ at 08:50 PM Oct 09

He was! But I believe that was the point!

timmyd at 09:25 PM Oct 09

Gotta check this out .

MonsterZeroNJ posted a BLOG item 16 days ago

review: SUPER DARK TIMES (2017)


Off-beat thriller has four teens smoking pot and goofing around and when the roughhousing gets a little out of hand, one of the teens (Max Talisman) is accidentally killed. The story then focuses on best friends Josh (Charlie Tahan) and Zach (Owen Campbell) as the emotional strain of covering up the boy’s death starts to tear their friendship apart and change the youths drastically. Add in the presence of a pretty mutual love interest (Elizabeth Cappuccino) and the situation may once again become deadly.

Film is directed with a refreshing low-key style by Kevin Phillips from a script by Ben Collins and Luke Piotrowski, who wrote Siren. It’s a tense little movie that portrays not only the awkwardness of teen emotions very well, but the unraveling of not being able to handle something tragic. Josh and Zach react in different ways which pushes them toward a volatile situation. It’s a slow burn, but one worth watching. The last act violence seems s little over-the-top compared to the quieter nature of the rest of the film, but works in the context of teenagers dealing with emotions that would challenge most adults. The young cast of mostly unknowns (Tahan was in The Harvest) are very good and the leads in particular show potential. An atmospheric and occasionally disturbing thriller. Also stars Sawyer Barth as the fourth teen in the scenario, Charlie. 7/10

-MonsterZero NJ

Mood: Angry

timmyd at 08:28 PM Oct 06

nice . I'll look for it.

MonsterZeroNJ posted a BLOG item 17 days ago



Unnecessary horror sequel has sat on the shelf for three years and now we know why. Flick has single mother Joan (Jennifer Jason Leigh) moving into the infamous house with rebellious daughter Belle, (Bella Thorne) younger daughter Juliet (Mckenna Grace) and son, James (Cameron Monaghan), who has been in a vegetative state since an incident that Bella blames herself for. Once settled in, Bella starts to believe something is very wrong as she learns the house’s horrifying history and her brother starts to make some remarkable and impossible improvements. Cue flies and the prerequisite “get outs”.
Despite it’s title, you’ll find it hard to stay awake during this sequel. Flick is written and directed by Franck Khalfoun who shows none of the style he showed in his Maniac remake and has concocted a very lazy script with all the familiar tropes un-inventively rolled out. Movie tries to legitimize itself by acknowledging all the other films were just that, movies and that this film is supposed take place in reality. But, it’s as far from reality as you can get and the only scary thing is how often Khalfoun likes to film actress Bella Thorne’s rear. It’s a terrible sequel with a wooden cast and even vets like Leigh and Kurtwood Smith seem to be phoning in their parts. Having the demon inhabit a person in a vegetative state is just dull and it keeps the action “bed ridden” till the climax we all know is coming a mile away. Awful waste of time and belongs back on the shelf it came from. 3/10

-MonsterZero NJ

Mood: Bored

MonsterZeroNJ posted a BLOG item 18 days ago

review: DR. PHIBES RISES AGAIN (1972)


Dr. Phibes (Vincent Price) rises from his self-imposed embalming and travels to Egypt to find the River of Life to resurrect his bride (Caroline Munro) from her eternal slumber. Phibes is in a race against time, as his rival Darius Biederbeck (Robert Quarry) also seeks eternal life and is headed there himself with his team. Phibes, not to be undone, finds gruesome ways to eliminate his competition, as he closes in on his goal.

Sequel is again directed by Robert Fuest from a script by he and Robert Blees. The 60s art deco look also returns, as does the twisted sense of humor. This installment seems to be a bit quicker paced and has more of a sense of fun, as Phibes’ death traps are even more elaborate and he has a hidden lair in one of the tombs that would make a Bond villain envious. How did he get all this stuff into Egypt and built without notice? Who cares? It’s a delightfully devious and fun romp as Phibes now has a rival who may be, at heart, even more sinister than he is. This dynamic makes Phibes more of an anti-hero this time as he slaughters his way through Biederbeck’s team with one death more inventive than the other. Watching him outwit his nemesis and decimate his accomplices, one by one, is a lot of ghoulish fun.

Price is again in top form, as usual, as Anton Phibes. The legendary actor is a delight to watch as the diabolical madman, and this time we don’t have to hide the fact that we are rooting for him. Robert Quarry is a suitable foil for the skull faced Phibes. His Biederbeck is a smug megalomaniac and we delight in watching his scheme slowly unravel at the hands of the devious doctor. Fiona Lewis is a sexy femme fatale as Biederbeck’s accomplice and romantic interest, Diana and Phibes’ loyal assistant Vulnavia returns (somehow) as well, though is this time played by Valli Kamp. Flick also features a brief cameo by the legendary Peter Cushing as a ship’s captain and a returning Terry-Thomas in a new role.

Like the first film, this is a cult classic and another example of why Vincent Price is a horror legend. It’s a bit more outlandish and thus twisted fun, than the first film, though the original was a bit more gruesome. There were many plans to bring the doctor back for a third film, one project was to be directed by George Romero and another would see Quarry return and add William (Blacula) Marshall to the mix. Sadly, none ever happened. There is talk of a remake with Malcolm McDowell, but this is such a classic Price role, it’s hard to see anyone else playing the organ and wearing the skull face. 7/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a BLOG item 23 days ago

review: GERALD'S GAME (2017)


Gerald’s Game is a Netflix original film adaptation of the Stephen King novel of the same name that many felt was almost impossible to adapt. Along comes Hush and Oculus director Mike Flanagan to prove those naysayers wrong. Story finds Jessie (Carla Gugino) and husband Gerald (Bruce Greenwood) going up to a secluded lake house to put some spark back in their marriage. Gerald’s idea of turning up the heat is to handcuff Jessie to the bed. When his sex game gets a little too rough for Jessie, she protests and struggles and the ensuing argument…plus the effects of the Viagra Gerald took…gives the man a fatal heart attack. Now trapped by the bonds of the intended sex game, Jessie is unable to get free, left alone with only the manifestations of a panicking mind, haunting memories from her past and a hungry stray dog to keep her company.

Flanagan once again delivers one of the best horror films of the year, as well as, one of the best Stephen King adaptations. His script with Jeff Howard brilliantly comes up with a way to portray Jessie’s inner monologue by using a trick he used briefly in Hush, by having Gugino and Greenwood basically play different trains of thought going on in her head. It works tremendously in letting us know what is going on in Jessie’s frightened mind as her imprisonment drags on for days and she engages in conversation with herself and her dead husband, revealing her fears and the painful memories her current situation drags up. If the inner terror isn’t enough…and some of these dialogue bits are intense and disturbing…there is the hungry mutt who is snacking on Gerald and a ghoulish phantom figure Jessie keeps seeing at night, at least one of which being a very real threat. The result is a very terrifying and nail-biting story of a woman basically left by happenstance to die and what goes on in her head during the ordeal. If the film falters a little…and it’s only a little…is that the last ten minutes deviates a bit into the subject of Jessie’s possible creeper and it feels like it’s part of a different movie, despite being basically from the book. It still brings us to a satisfying conclusion, but just felt a little out of place when compared to the preceding 90 minutes, which was dark and gripping on an intimate scale, taking place up to that point in the Burlingame bedroom.

Flanagan may have indeed masterfully directed this tale of terror, but his success would not be without two Oscar caliber performances from leads Carla Gugino and Bruce Greenwood. Both actors play themselves and manifestations of Jessie’s fears and mental breakdown and as such these actors are superb. Gugino has always been a good actress and here she delivers one of the best performances of her career. As Jessie, she vividly portrays a woman harboring some dark memories and secrets which come bubbling to the surface as she left alone and helpless to a horrible fate. The actress is simply amazing as both Jessie and the manifestation of Jessie’s subconscious. The same could be said of Greenwood, who plays not only her husband, who has a bit of a dark side himself, but also the manifestations of Jessie’s fears and weaknesses. The two actors’ performances are unbelievably in-sync especially when playing off each other as conflicting patterns of thought in the terrified woman’s head. Fantastic work. There are some supporting actors as well, such as Henry Thomas and Hush‘s Kate Siegel as Jessie mom and dad in flashbacks and Carel Struycken as the phantom figure Jessie interprets as death coming to take her.

Mike Flanagan has yet to disappoint and here he delivers one of his strongest films yet. He and co-writer Jeff Howard have a script that borders on brilliant at times in it’s adapting of a story that many felt was impossible to adapt. The film is terrifying and disturbing and doesn’t pull punches or turn away from some of the more intense subject matter…and there is a bit of effective gore, too. The last few scenes may feel a bit out of place from the previous nail-biting sequences, but they remain faithful to King’s story and certainly don’t tarnish one of the best horror films of the year. The teaming of Flanagan and Netflix has produced two really top notch horror flicks and it makes one eagerly anticipate The Haunting of Hill House series Flanagan has upcoming on the network. 8/10

-MonsterZero NJ

Mood: Happy

MonsterZeroNJ posted a BLOG item 26 days ago

review: CULT OF CHUCKY (2017)


It’s been four years since horror icon Chucky’s triumphant return to form in Curse Of Chucky. Now he returns again, this time roaming the halls of a medium security institute for the mentally ill. This installment finds Nica (Fiona Dourif) declared mentally insane after taking blame for the murders Chucky committed in the Pierce house and she’s been institutionalized since. Meanwhile, Andy Barclay (Alex Vincent) has been keeping and tormenting Chucky’s possessed head and Nica’s doctor (Michael Therriault) decides to bring in a Good Guys Doll as part of her therapy. It also seems, though, that Chucky has been busy learning new spells and can inhabit more than one doll…and as more Good Guy Dolls show up at the institute via Tiffany (Jennifer Tilly) and Andy, all hell breaks loose with Nica at the center of it. With more than one Chucky stalking the halls and Andy and Tiffany on premises, the inmates will soon be running the asylum!

Don Mancini returns again to write and direct and again delivers one of the best of the series. Cult of Chucky is an absolute blast of bloody fun as the demented Chucky starts to off the inmates and staff of the Harrogate institute, all the while tormenting Nica. The gore is plentiful and the kills inventive and Mancini takes full advantage of the sterile environment of the institute in contrast to the old haunted house style setting of the last flick. He giddily splashes the clean white walls with bright red blood and really has come into his own as a visual director with some Kubrick-esque shots and hallucination sequences. He balances the mood very well here with playing things fairly straight, yet keeping and honing the series’ twisted sense of humor, especially in portraying Chucky’s enthusiasm for what he does. He also gets to have some fun with the fact that Chucky can inhabit more than one doll at once and there are at least three roaming the dimly lit halls at one point. And Chucky gets to delight in the fact that only Nica knows he’s real and the rest of the inhabitants are in dangerous denial. It’s simply a really fun, stylish and gory time with one of horrors most famous icons in top form thanks to Mancini’s clever script and direction. Sure there area few plot holes, such as how did Chucky research new spells if he was only a disembodied head in Andy’s possession, but otherwise this is a solid entry in the Child’s Play franchise.

The cast are all in top form, too. Brad Dourif once again performs Chucky’s vocals with gusto and at this point, it’s hard to imagine anyone else doing it. Daughter Fiona Dourif is also solid as Nica. She takes the material seriously and plays the role with conviction, until the last act where the script allows her to go a little over-the-top and she has fun with what she’s required to do. Alex Vincent certainly is having a good time as the adult Andy and Jennifer Tilly is a delight as the demented Tiffany, playing it as if there was never a long break in-between films. The rest of the cast do well in portraying various inmates and staff, many of whom fall to Chucky’s homicidal antics.

This installment was really entertaining. Don Mancini has found a way to revive this series with two recent quality installments that further the adventures of Chucky and yet delightfully pay tribute to the earlier chapters in the franchise. Where most horror series slowly fizzle out as they go along, Don Mancini has found a way to keep this one fresh, inventive and lots of bloody fun. Sure there are a few plot holes, but you are willing to overlook them because you’re having such a gory good time. 7/10

-MonsterZero NJ

Mood: Chillin'

Laksmikanti at 10:50 AM Sep 27

I am going to give this one a chance, to see what else they can do with this franchise. Nice review!

MonsterZeroNJ posted a BLOG item 26 days ago

review: HOUSES OCTOBER BUILT 2 (2017)


The Houses October Built was a fun found footage horror with a simple premise. During the Halloween season, five friends decide to take an RV road trip to seek out and find the most extreme and scary Halloween attractions they can, documenting it all on camera…of course they got more than they bargained for. The sequel picks up a year later with the group having become internet celebrities due to the broadcasting of their predicament at the hands of The Blue Skeleton on social media. Now Halloween haunts are paying them to come and promote their attractions…all but Brandy (Brandy Schaefer) who is still traumatized. Brandy…now known on the net as “coffin girl”…however, is the one the haunts all want promoting their attractions and the gang have to do a lot of convincing…and paying…to get her back in. Brandy eventually agrees, not knowing that someone is watching them and that the The Blue Skeleton group may not be done scaring them yet.

First flick was a lot of fun as it both worked both as a horror flick, yet also dove into the underground world of Halloween haunts. This sequel does the same but opens it up to include Zombie 5k’s and even an “adult” themed haunt. The script by director and actor Bobby Roe, with cast member Zack Andrews, cleverly gets the gang back out there by having them now being paid by the haunts themselves to do what they did last time. Roe keeps the found footage format somewhat, but this one plays more like a movie which works as the feel of legitimate found footage was one of the weaker aspects the first time around. The group’s use of a drone, also opens up the scale with some frequent aerial photography. This sequel does take a little while to get going and may not be as consistently Halloween spirited as the last one, but once things start to get spooky, when our group…Brandy in particular…are being stalked, it gets as fun as the last one. It also has a few surprises up it’s sleeve, especially when the group meets their intended fate at the Hellbent attraction where the familiar blue skull-ed creepers spring their trap. It provides an intense and entertaining last act and shows Bobby Roe has matured as a filmmaker, somewhat, providing some legitimate chills.

The main cast, Zack Andrews, Mike and Bobby Roe, Jeff Larson and Brandy Schaefer, all return and are certainly fine, basically playing themselves. Schaefer stands out as she has the most emoting to do with her character being a reluctant participant, who is still haunted by almost being buried alive. Brandy has a couple of strong scenes expressing her fears and concerns over returning to these underground haunts and the climax gives her some solid material to work with. She would make a good final girl in a straight up horror. Mikey Roe also has some screen charisma as lovable party animal and joker of the group.

This was an enjoyable sequel and with some clever writing they may be able to get at least one more chapter out of this franchise. This follow-up pretty much equaled the first flick, which was a fun look at extreme Halloween haunts and a sometimes spooky little horror flick, too. The sequel freshens things up by opening up it’s spectrum of interested to include other types of Halloween attractions and figures out a way to get it’s characters back out there, after being scared out of their wits the last time. It does take a while to get going and the Halloween spirit isn’t as consistent as the last time…maybe too much of it was shot in the daytime?…but it does deliver some goods, especially in the last act. If you liked the first The Houses October Built you might enjoy this second romp as well and it would make a nice double feature during the spooky season to watch both films together. 7/10
-MonsterZero NJ

Mood: Chillin'

timmyd at 08:28 PM Sep 27

looking forward to this one . the first flick surprised the hell out of me .

MonsterZeroNJ posted a BLOG item about 1 month ago

review: JACKALS (2017)


Jackals opens in 1983 with a chilling murder of a family in the middle of the night. The film then switches to the kidnaping of a young man, Justin (Ben Sullivan) by two masked individuals. We find out they are actually Ben’s father, Andrew (Johnathon Schaech) and ex-Marine, Jimmy (Stephen Dorff). We also learn that Justin is involved with a cult and his family has abducted him to a remote cabin for Jimmy to deprogram him. But as horror fans we know remote cabins in the woods are never a safe place and soon they are surrounded by masked cultists who want Justin back and his family all dead.

Flick is written by Jared Rivet and directed effectively by Kevin Greutert (Jessabelle). The plot may be a mix of things we’ve seen before like The Strangers, Faults and You’re Next, but it works well enough. There are some chilling scenes and some intensity, especially when the cultists surround the cabin and begin their efforts to get in. There is also some brutal violence and director Greutert does give it some atmospheric visuals to support the night-set story. The film falters a bit in a few aspects. First off, the Powell Family remain far too calm and organized when the cultists make their presence known. They quickly arm themselves, make weapons and seem quite ready to defend the cabin as if they’ve done this before. Have they? Did we miss something? Did Jimmy conduct a family boot camp just in case? Also, the cultists seem like they are a large group, yet constantly attack the cabin one or two at a time, instead of rushing the cabin all at once and overrunning it…which would end the movie very quickly. That and the whole animal masked killers thing is starting to get old and is far less effective since many films have used this trope in recent years. Still the film does entertain and there are some effective moments alongside the familiar ones.

The cast are all fine enough. The vets like Schaech, Dorff and Deborah Kara Unger take the material seriously and try their best to add some dramatic intensity. Ben Sullivan is creepy as Justin and the dynamic of being a brainwashed cultist is conveyed well enough to make the story work. We also have Nick Roux and Chelsea Ricketts as Justin’s jerk brother and girlfriend/baby momma, respectively and as the cultists are masked and silent, we never really get to know any of them. Cultist “Fox Girl” (Alyssa Julya Smith) had nice abs, but that’s as far as the character development went with her.

Overall, this was a decent enough horror/thriller to pass the time and there were some effective and brutally violent scenes to punctuate the story. There visual style of director Greutert added some atmosphere and the veteran cast took the material seriously. There were some story flaws, questions and a lot of familiarity which kept this from being a real nail-biter or more original, but you could do far worse for a night on the couch with a brew or two. 6/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 09:46 PM Sep 12

I thought it was pretty cool .

MonsterZeroNJ posted a BLOG item about 1 month ago

review: THE ICE CREAM TRUCK (2017)


Flick finds pretty, married mom Mary (Deanna Russo) moving from Seattle back to her old suburban neighborhood. She’s arrived a week ahead of her family to get the house ready while the kids finish school. Mary suddenly realizes this is the first time she’s had to herself in over a decade and plans to enjoy it. Two things, though, impact Mary’s return to suburban living and “me” time…the tempting advances of her neighbor’s hunky teenage son, Max (John Redlinger) and a creepy ice cream man (Emil Johnsen) who has taken notice of the new woman on the block.

The Ice Cream Truck is written and directed by Megan Freels Johnston who successfully mixes the two stories of a woman reconnecting with herself and a slasher stalking an unsuspecting neighborhood. She gives us a likable heroine in Mary who is having trouble readjusting to suburban life and the nosey, eccentric, judgmental, neighbors she’s surrounded by. Being a wife and mother for so long, she has a chance to unwind and is certainly tempted by Max, her pot smoking, well-built neighbor’s son who has taken an interest in the pretty older woman. In the midst of Mary’s self proclaimed “reconnecting with her youth” there is the creepy ice cream man stalking the neighborhood and killing anyone who doesn’t follow his old fashioned sensibilities. Johnston does a good job having these stories run parallel to each other till it’s time they collide when Mary and the creepy confections vendor face-off. Johnston has a very interesting visual style and her shot composition does evoke John Carpenter at times as did Michael Boateng ‘s very 80’s/Carpenter-esque score. There is tension and we are certainly unnerved when the ice cream man is onscreen. The kills are bloody but routine, though they aren’t the point. This isn’t a gore flick. On another level, we also watch the tale of a woman simply enjoying being a little frisky for a few days and that works too. If the film falters a bit, it is in first, the confrontation between Mary and the psychotic ice cream vendor is far too short and over before it has time to have impact. The other is the “wait…what?” ending. Without giving away any details, it seems to imply that much of what we just saw might have been in Mary’s head. It undos some of what we just witnessed and makes us wonder if writer Mary was just daydreaming a little excitement, letting her imagination run a bit wild, to relieve the boredom of waiting for her family to arrive. Either way, it does’t have the impact it was probably intended to have, though does set up a potential sequel and Mary was a strong enough character that we would’t mind seeing more of her experiences in surreal suburbia.

As Mary actress Deanna Russo really nails it in what is basically her show. She presents us with a woman who has lived for others for far too long and now suddenly has a chance to cut loose a bit, smoke some pot, have the house to herself and enjoy that she has the attention of a much younger man. And what makes this work is that Russo doesn’t play her like the stereotypical MILF, she is a little awkward and has a bit of a sarcastic sense of humor, but is naturally pretty and has a sexuality to her that is just part of her personality and not something forced. She’s just being herself and is naturally sexy, especially when she starts to let herself enjoy Max’s attention. The two have a chemistry on screen and the scenes of high school grad Max’s awkward seduction attempts do crackle with a sexual tension. Credit to actor Redlinger here, too as the object of Mary’s temptations. Russo also makes a good final girl…and it was refreshing to have one that wasn’t a high school or college girl…though, these moments were far too short to really enjoy. As stated, John Redlinger did a good job as the infatuated Max and he was charming and one could understand how his awkward attempts at getting in Mary’s pants, could actually be a bit endearing to a lonely older woman looking to feel not so mom-like for a bit. Finally we have Emil Johnsen who is properly unnerving as the ice cream man. Not much info is given and we have no idea of his true motives, but he presents a very creepy dude and he is chilling in his scenes. The flick also has an appearance by Rob Zombie regular Jeff Daniel Phillips as a creepy delivery man. Poor Mary seems to be a magnet for creepy dudes, as well as, high school hunks.

Overall, this was an interesting mix of slasher flick and drama of a woman trying to reconnect with her youthfulness and sexuality. This ties in well as bad behavior is usually what attracts slashers in the classic format, so it works here. Megan Freels Johnston appears to be a filmmaker to keep an eye on with some very impressive shot framing and imbuing the film with some nice atmosphere both as a slasher and a tale of a fish out of water in oddball suburbia cutting loose much to her neighbors’ chagrin. The flick may have stumbled in it’s last scene and with not letting it’s confrontation between Mary and maniac play out a bit longer, but it is an enjoyable little movie and hopefully a sign that Megan Freels Johnston might be someone to watch out for in the future. 6.5/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 09:34 PM Aug 28

I definitely have to check this out . thanks for the heads up.

MonsterZeroNJ posted a BLOG item about 1 month ago

review: RAW (2017)


French horror has vegetarian Justine (Garance Marillier) following her big sister Alexia (Ella Rumpf) to veterinary school. Once there, “rookie” Justine is forced to eat raw rabbit kidney by Alexia during part of a bloody initiation. After having what appears to be an allergic reaction, Justine starts to have an intense craving for meat…raw meat…and not just from animals.

Julia Ducournau directs this very disturbing and stylish thriller from her own script. The film appears to be a metaphor for growing up and the loss of innocence as virginal Justine craves “the flesh”, especially of her handsome gay roommate Adrien (Rabah Naït Oufella). Once she gets it and is exposed to the party lifestyle of grad school, her hunger grows in more ways than one. There are some very unsettling scenes during the course of the film and some gruesome ones that will make you cringe as Ducournau takes us on Justine’s journey from virginal vegetarian to potential cannibal, under the guidance of her older sister. And be warned, some of these scenes will stick with you for a while. It is all portrayed very well by lead Garance Marillier and the rest of the cast and we do get a chilling explanation before the credits role. A very unnerving and well made French horror from Julia Ducournau. Highly recommended for those who like stuff offbeat and very disturbing. 8/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 08:45 PM Aug 24

I GOTTA get on this.

MonsterZeroNJ posted a BLOG item 2 months ago

review: THE MONSTER PROJECT (2017)


Found footage horror finds two Youtube pranksters Devon (Justin Bruening) and Jamal (Jamal Quezaire) coming up with a idea for a put-on to find and interview monsters for a Youtube show they dub The Monster Project. They add Jamal’s druggie roommate Bryan (Toby Hemingway) and Devon’s ex Murielle (Murielle Zuker) to the crew and begin advertising for “monsters” to interview. They rent an old creepy house to use as their setting and actually get people claiming to be a vampire (Yvonne Zima), a skin-walker (Steven Flores) and demon possessed girl (Shiori Ideta) answering their ad. As the night and interviews progress, the team start to find out these “monsters” are very real and that their lives are in real danger.

Directed by Victor Mathieu from a script and story by he with Corbin Billings and Shariya Lynn, this is an amusing concept of Youtube video makers getting more than they bargained for. The interview segments are creepy and when their supernatural subject matter turns out to be real, there are some truly spooky and intense sequences, as the vampire, skin-walker wolf and demon girl pursue them all through the maze-like old house. It’s played straight and there is some gore as the four aren’t all lucky enough to evade their fiendish pursuers. The found footage style works here, with even the cop/skin-walker having his own uniform cam as he follows his intended victims. This part of the film is the best and the most entertaining, even with some weak CGI. Where the film stumbles, is where a lot of found footage flicks do. The build-up to the interview/chase segment is nowhere near as interesting, especially when it delves into the drama between Devon and Murielle’s failed relationship and Bryan’s attempts to appear clean when he isn’t. It’s kind of dull and the actors aren’t always up to the task. The film also comes apart a little bit in the last act when there is a reveal which takes the film and the survivors in a different direction. It seemed like it was unnecessary when the simpler plot of the film crew actually finding real monsters was enough to entertain. It takes the simpler premise into different territory and the initial story didn’t need a hidden agenda. It had some spooky moments, too, but also seems to overload the flick in it’s last moments.

For the most part this found footage flick has an amusing set-up and generates some intensity, chills and some fun chase sequences as a crew of Youtube entrepreneurs get exactly what they wished for. There is some decent gore and make-up for a low budget flick and the found footage format works here to the flick’s advantage. Where the flick falters is in the personal drama between some of the characters which is dull and doesn’t add much and that the cast of unknowns aren’t always convincing in their roles. The ending takes the film in an unneeded direction and convolutes things a bit when the simpler premise was working just fine and didn’t need an extra inning. Sometimes less is more, though what we get does have it’s moments. Not the complete success it wants to be, but entertains well enough when it’s working. 6/10

-MonsterZero NJ

Mood: Chillin'

grelber37 at 04:43 PM Aug 19

MonsterZeroNJ, you save people money and time, and it is always appreciated. Thanks to your review, The Monster Project looks like a low-priority watch.

timmyd at 09:01 PM Aug 20

I just read something about this , and it sounded kinda interesting . I'll give it a look.

MonsterZeroNJ posted a BLOG item 2 months ago



Sophomore flick from Osgood Perkins, shows the filmmaker has indeed mastered spooky atmosphere with this tale of home care nurse Lily (Ruth Wilson) moving in with ailing horror novelist Iris Blum (Paula Prentiss). As she cares for the woman, the easily scared Lily starts to believe that the house is more than just a home, but a direct inspiration as it appears one of Blum’s character’s, Polly (Lucy Boynton) was indeed murdered in the house…and her spirit may still be there.

While Perkins script presents a very thin story, the director loads it up with some really creepy atmosphere. Most of the film consists of Lily wandering about the house and seeing and hearing some very strange things as the film takes her on a journey of discovering that something happened in that house to inspire Blum’s most famous novel, The Woman Inside The Walls. Perkins accomplishes a lot with some very simple visuals and some very chilling moments as Lily discovers that Blum may have recounted an actually murder that took place in the house and relayed by the spirit of the victim herself, Polly. The story is far simpler than Perkins’ creepy The Blackcoat’s Daughter, but despite taking place solely in the house and mostly with just Lily, it still is quite unsettling at times. To say much more would be to spoil the effectiveness of this atmospheric tale. The equally atmospheric score for the film is once again by the director’s brother Elvis Perkins.

The minimal cast is quite good as it practically is a one woman show. Ruth Wilson creates a very meek and timid woman, possible a bit eccentric, too and takes her on a supernatural quest of discovery as Lily finds that the house has a dark secret that may have inspired her charge’s most famous tale. As Blum, Paula Prentiss doesn’t have many scenes, but is effective at portraying a woman with dementia, who is only adding to Lily’s mystery with her words, that may be more than babbling. Bob Balaban has a small part as a man who manages Blum’s affairs, Erin Boyles plays Blum in flashbacks and Lucy Boynton effectively plays Polly in flashbacks and when Lily has visions of her.

The film may be of a simpler nature than Oz Perkins’ first flick, but this is an old fashioned haunted house movie done in what is becoming the writer/director’s signature spooky style. It’s loaded with chilling atmosphere and unsettling scenes and while it is very economical in terms of story, it is still effective in giving chills for those patient enough to go with it’s slow burn. 7/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a BLOG item 2 months ago



Count Yorga (Robert Quarry) is back…though not sure how…and takes up refuge in an old mansion opposite an orphanage. He sets his sights on pretty teacher Cynthia (Mariette Hartley) and his fangs on all her family and friends. Can anyone stop this fiend before he takes Cynthia as his bride and everyone else as his dinner?

Sequel is directed again by Bob Kelljan from a script he co-wrote with Yvonne Wilder and is a rather dull return for Quarry’s suave Bulgarian count. Much like the first film, there are some spooky scenes, but there is also a lot of talk and the story never gets interesting enough to lure us in. Oddly the addition of an orphanage doesn’t amount to much as only one child seems to fit into Yorga’s plans and the action takes place, for the most part, in Yorga’s Mansion. Yorga himself is absent for stretches of time as the film focuses on Cynthia trapped in his lair and being taunted by his minions. As for Yorga, Quarry again makes a good vampire, but the rest of the cast is fairly wooden and Hartley isn’t given much to do but look frightened. Roger Perry again stars, but not as the same character he portrayed in the first film…which is a little off-putting. Technically the film looks good through cinematographer Bill Butler’s lens and Bill Marx’s score adds some atmosphere.

Not a big fan of the first Yorga film and this one won’t convert anyone who is not. It’s slow moving, has long stretches with no action and it’s story is routine for a vampire flick. The placement of Yorga’s lair near an orphanage doesn’t get used to it’s full potential and the fact that Yorga allows his minions to taunt his intended bride, doesn’t really make much sense either…unless he likes nutty women. A dull sequel. 5/10

-MonsterZero NJ

Mood: Bored

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