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February 2017

December 27th


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New Jersey (USA)

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I'll give Danny McBride and David Gordon Green a chance with the new Halloween movie as long as they promise to keep Busta Rhymes as far away from it as possible!
6,651 Posts
Super Schmoe
MonsterZeroNJ posted a BLOG item about 13 hours ago

review: XX (2017)


I’m a huge fan of female filmmakers making their voices heard in the horror genre, so, obviously, I was intrigued about this new anthology featuring four stories all written and directed by women. Unfortunately, like in most anthologies, the flick is a bit of a mixed bag with not all stories being equal.

First story is the best and is based on a short tale by Jack Ketchum. It’s written and directed by Jovanka Vuckovic and is a disturbing tale. The Box has mom, Susan (Natalie Brown) out in the city for the day with her kids, Danny (Peter DaCunha from Hellions) and Jenny (Peyton Kennedy). Danny spies a man with a present and his curiosity gets the man’s attention and he’s offered a look inside. Whatever he sees disturbs Danny greatly and he stops eating. He refuses to talk about it, but as he slowly opens up to his sister and dad (Jonathan Watton), they stop eating as well. With her family wasting away before her eyes, Susan is determined to find out what was in that box. This is a tense and unsettling episode with some disturbing imagery that has lasting effects even after it’s over.

Next story The Birthday Party, is directed by Annie Clark and is co-written by she and Roxanne Benjamin and is the least of the four tales. This one has self absorbed mom Mary (Melanie Lynskey) throwing a party for her little girl (Sanai Victoria) and finding her husband (Seth Duhame) dead in his home office. Not wanting to ruin the party, she now must find a way to hide his body. That’s it. It’s as uninteresting as it sounds.

Next story is written and directed by Roxanne Benjamin and is called Don’t Fall. This is a fun and effective episode finding a young woman (Breeda Wool) with a fear of heights going on a desert camping trip with friends. She runs afoul of an ancient evil entity in a cave and is transformed into a demonic creature that now stalks her companions. It’s simple, a bit gory and is a more straightforward and fun horror segment.

Anthology ends on a so-so note with Her Only Living Son. Directed and scripted by Karyn Kusama (The Invitation), this is a ho-hum tale of single mother, Cora (Christina Kirk) whose son, Andy (Kyle Allen) has suddenly turned violent. As she tries to find out what’s wrong with his behavior, she begins to suspect that his coming of age may have triggered both a horrifying transformation and unveiled a revelation about his true “father”. This segment is nothing new and ends rather abruptly and un-satisfyingly.

There are some really cool stop motion animated framing segments to the stories directed by Sofia Carrillo, that are probably the most effective thing about this uneven anthology. I still recommend one give it a look based on the framing bits and the stories that work, as it is still worth checking out…just not the total success one hoped for from some of the up and coming ladies of horror. 6/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a MOVIE REVIEW item: 3 days ago

Beauty and the Beast (La Belle et la Bette)


Directed by: Christophe Gans
Written by:
Cast: Lea Seydoux, Vincent Cassel
Studio: Shout! Factory
Genre: Fantasy, Foreign Film, Romance
Official Site:
Plot: Christophe Gans retells this classic story...


This version of the classic tale is from Brotherhood of the Wolf director Christophe Gans and is a sumptuous telling of the story. French film has a merchant (André Dussollier) escaping a band of ruffians and wandering through a snowstorm into the castle of The Beast (Vincent Cassel). The creature commands he must stay, but will allow him one night to say goodbye to his family. When he returns home and relates his tale, his youngest daughter Belle (Léa Seydoux) sneaks out and goes to the Beast’s castle and offers herself in her father’s stead. The Beast is enchanted with her and thus begins a relationship that turns from fear and defiance to love…a love that may be The Beast’s only hope of becoming the man he once was. But, there is trouble ahead for Beast and Belle as her brother Maxime (Nicholas Gob) has offered up the riches of Beast’s castle to the gang leader Perducas (Eduardo Noriega) as payment for his debts...[more]...

MonsterZeroNJ posted a BLOG item 6 days ago

review: WINTERBEAST (1992)


Winterbeast is a perfect example of just how entertaining a bad movie can be. Flick’s convoluted plot has a snowy mountaintop community being beset by creatures that are actually demons that the Native Americans that once lived on the land have tried to keep at bay. A demon spirit is trying to enter this world through a portal in this area and his stop motion animated minions are gruesomely paving the way. The only thing that stands in it’s path are a couple of local forest rangers (Tim R. Morgan and Mike Magri)…at least I think that’s it.

Written and directed by Christopher Thies, this is a sometimes incoherent flick that is one weird scene after another with this hodgepodge plot about ancient Native American totem poles and demonic creatures the lay siege to a mountain community. The acting is delightfully terrible, the dialogue is amusingly awful and the stop-motion animated creatures and gore are delightfully cheesy. It’s also a bizarre little movie filled with WTF moments, such as the disturbing dance sequence featuring weird local lodge owner, Dave Sheldon (Bob Harlow) in plaid suit and clown mask, no less and a topless cutie being slammed against the side of a house by a stop motion totem pole creature, for no apparent reason…and let’s not forget the giant chicken monster. The editing is choppy and one wonders if director Thies was even on set as there seems to be little in the way of actual direction…though with this hopelessly amateur cast, would it have mattered?

I liked this film a lot, but, of course, for all the wrong reasons. The narrative is barely coherent, some scenes are completely random, the plot is loopy and there are some hilarious WTF sequences. There is a host of cheesy stop-motion animated creatures, some equally cheesy gore and some of the worst acting and dialogue you’ll ever hope to see. It’s also a lot of fun and a perfect example of why so bad can be so good. It made a real fun double feature with Don Dohler’s Alien Factor here in MonsterZero NJ’s lair, if ‘so bad, it’s good’ is your thing!
7/10…rating is based on 'so bad, it's good' fun!

-MonsterZero NJ

Mood: Happy

timmyd at 08:07 PM Feb 22

oh man , I gotta check this out.

MonsterZeroNJ at 09:14 PM Feb 22

It's a hoot!

MonsterZeroNJ posted a BLOG item 12 days ago

review: EAT MT DUST! (1976)


A year before Smokey And The Bandit and a good three years before The Dukes Of Hazzard, Ron Howard led a cross county chase in this Roger Corman produced action/comedy. The story is simple…teen Hoover Niebold (Ron Howard) wants to impress beautiful blonde Darlene Kurtz (Christopher Norris) who has a love for fast cars. Hoover steals the fastest stock car on the track, belonging to local legend Big Bubba Jones (Dave “Mr. Kincaid” Madden) to take her for a ride. This joy ride turns into a hot pursuit as his sheriff father (Warren Kemmerling) leads the chase, followed by a posse of drunken stock car racers and inept deputies!

Car chase flick is written and directed by Charles B. Griffith who wrote a lot of scripts for Corman during the 60s, 70s and 80s, including many of his classics. It is a light, fun and fast paced effort that made a lot of money for Corman and New World Pictures. The film was part of a deal with Ron Howard, who had star power from Happy Days and was looking to direct. If he starred in this, he could make another film for Corman from the director’s chair, which would become Grand Theft Auto. The result is a good time with a lot of slapstick comedy and an almost non-stop chase with young Hoover outwitting his dad’s deputies and Big Bubba’s drunken buddies. As with most Corman films, there is a lot accomplished with a little and Griffith brings a light, breezy fun to the proceedings and keeps things moving quickly. It’s silly and goofy, but energetic and there is plenty of stunts and crashes for car chase enthusiasts to enjoy.

Howard plays Hoover much like a grown up version of his Opie Taylor from The Andy Griffith Show. He’s a bit of a country bumpkin, but is clever enough to outwit his pursuers. Howard has charm and is very likable as the rebellious teen willing to do anything for love. Christopher Norris is pretty and spunky as the object of Hoover’s affection, Darlene. The two make an endearing pair as they outwit the nitwits in their county. The supporting cast all have a good time playing their roles with over-the-top, slapstick efficiency, too and it’s fun to watch them. The film also stars Howard’s brother Clint, a known cult favorite character actor himself.

This film is now considered a cult classic and in an indirect way got Ron Howard started on a career as a prolific and highly regarded director. It’s silly, funny and loaded with plenty of chases and crashes. It was a successful film for Corman’s New World Pictures and predated the “redneck” car chase craze started by Smokey And The Bandit by a year. A fun little movie and another example of Roger Corman’s craft as a producer. 7/10

-MonsterZero NJ

Mood: Chillin'

MonsterZeroNJ posted a MOVIE REVIEW item: 14 days ago



Directed by: Morten Tyldum
Written by: Jon Spaihts
Cast: Chris Pratt, Jennifer Lawrence, Michael Sheen, Laurence Fishburne
Studio: Sony Pictures
Genre: Adventure, Science-Fiction
Official Site:
Plot: Let's just call it Star Drek and leave it at that...


Painfully generic Sci-fi/romance has the starship Avalon making a 100+ year journey to a new home world with it’s crew and passengers in hyper sleep for the trip. The ship sustains some damage during a trip through an asteroid field…guess, there is no safety contingency for that…and one of the results is the early awakening of engineer Jim Preston (Chris Pratt) about 90 years too early, with no way (conveniently for the story) of getting back to hibernation…I guess no safety contingency for that either. After a year of loneliness, Jim reviews the ship’s passenger logs…a bit creepy…and finds and falls for pretty Aurora Lane and decides to awaken her, too…even creepier. Faster than you can say The Love Boat, the two fall head over heels, till the damage to the ship becomes critical and now they are the only hope of saving the lives of everyone sleeping on board…and did I mention that Jim is conveniently an engineer...[more]...

Other reviews of this film: cobb (3/10) , Horrorfan99 (5/10) > Display all
Horrorfan99 at 07:26 PM Feb 14

It really is a shame because the core story revolving Pratt and Lawrence is a goldmine for drama. Hell, if they wanted, it could've been a great thriller. Alas they just wanted another glossy action movie which seems like a waste of the cast and script they had.

It was a despicable action that he made, but they could have really went inside the psyche of it all. Instead they made her forgive it all because the ship needed to be fixed which is very stupid logic.

MonsterZeroNJ posted a BLOG item 15 days ago

review: THE BORNLESS ONES (2016)


At it’s core, flick is a basically an Evil Dead (both old and new) retread with a group of people in an isolated cabin and an ancient evil taking them one by one. This cabin in the woods horror has pretty Emily (Margaret Judson) moving into a remote house/cabin so she can be near her brother Zack (Michael Johnston), who she is going to send to a nearby institution for his spastic monoplegia, a form of cerebral palsy. Her boyfriend Jesse (Devin Goodsell) is with her and their friends Woodrow (Mark Furze) and Michelle (Bobby T) have come along to help set things up. When they enter the house…which they apparently bought sight unseen…they find evidence some kind of cult ceremony or witchcraft was performed there previously. When they remove some creepy symbol adorned boards, something malevolent moves into the house with them. It first possesses poor Zack, who can now walk and talk…saying scary things, of course…and makes it known that they all shall fall prey to The Bornless. Sound familiar?

Flick is written and directed by Alexander Babaev with very little originality or novel additions to the cabin in the woods sub-genre. Zack’s affliction is one of the scant few original wrinkles and with it does come an interesting element that the demons healed him somewhat to use him more efficiently and there is evidence that this healing power is what provoked the original owner to invoke them. This is, however, for the most part, a retread of a classic using elements from it and it’s remake, thought sometimes effectively and I can’t say it wasn’t somewhat entertaining. Babaev may have little originality in his screenplay, but it’s atmospheric and he does direct some of the zombie/possession scenes well. He also has a good visual eye, too and there are some amusing bits where possessed cabin mates reveal their host’s darkest secrets just to be nasty and where some are visited by ‘spirits’ from their past to taunt them. There is some decent and effective gore, but unfortunately the “bornless” demon spirits are represented by some cheesy CGI and aren’t nearly as effective. The one time Babaev tries to deviate and actually show his demons, is a time he should have taken a cue from Raimi and let our imaginations do the work instead. Sometimes less is more. Thankfully they don’t have all that much screen time.

Cast are all fine. Margaret Judson makes a solid heroine. She nicely conveyed her character’s concern and affection for her illness inflicted brother and that makes her Emily endearing. She also turns into a resilient fighter once things start going bump in the night and proves to be effective final girl material. Michael Johnston was good as Zack. He at first has to emote with very little due to Zack’s condition and then gets to have a little fun once he is possessed and becomes fully functional. He has some creepy moments once things get going. Goodsell is fine as boyfriend Jesse whose deeper secrets and feelings are brought to the surface by the demonic presence and he’s not the person he pretends to be, though that’s not all that much of a surprise. Furze and Bobby T are also efficient as the friends who have secrets of their own and wind up not having a good time at the cabin…if you know what I mean.

I can’t give this flick much credit for originality, as it borrows far more from Evil Dead both past and present than it comes up with on it’s own. There are a few original ideas and they do work, but instead writer/director Alexander Babaev seems content to replay a lot from Raimi’s classic and Alvarez’s remake. It’s a shame. He does show some chops with some effective scenes and some nice atmosphere. A compassionate and strong heroine played by Margaret Judson also helps keep this from being a dull retread and the cast, overall, are fine in their roles. There is some nice gore and the cabin setting works well despite being so blatantly familiar. Ultimately, it’s definitely worth a look and was entertaining, but expect extreme amounts of Evil Dead envy. 6/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 08:16 PM Feb 13

This is the second positive review I've seen . I'll have to give it a look.

MonsterZeroNJ at 09:16 AM Feb 14

Just don't expect much in the originality department.

MonsterZeroNJ updated his STATUS: 16 days ago

I'll give Danny McBride and David Gordon Green a chance with the new Halloween movie as long as they promise to keep Busta Rhymes as far away from it as possible!
grelber37 at 06:01 AM Feb 12

McBride and Green have indicated that they go back to basics. Of course, many film-makers claim such so that they sell their movies to the public. However, the screenwriters seem to want few gimmicks and odd casting.

MonsterZeroNJ posted a BLOG item 18 days ago


This newest installment of Halloween Hotties features three relatively new faces in horror that recently have made quite an impression in the genre. These three actresses made for memorable final girls/characters in their respective horrors/thrillers and we can only hope they will grace the horror genre again and soon!

Anya has taken the horror world by storm, appearing in two highly acclaimed horror films within the space of a year and an entertaining Sci-fi thriller in the middle. The actress was born in Miami, but has lived in Argentina and London and has also modeled and been a ballet dancer. Her varied background may be the reason she can play such different roles and almost be unrecognizable from one to the other. Whether it be a coming of age puritan teen in The Witch, a genetic experiment in Morgan, or an emotionally troubled teen kidnaped by someone with far bigger head problems in Split, Anya is proving a welcome presence in the horror genre and an actress to keep an eye on! Rumor now suggests she may join the cast of The New Mutants, the new X-Men film in the works…and we hope so!

Anya first got our attention as The Witch’s tempted teen Thomasin!


Between movies and TV, this Aussie beauty has been quite busy and we couldn’t be happier that some of that busy has been in our favorite type of flicks! Stasey, already a veteran of TV and films, made her first waves in the horror genre in Lucky McKee’s 2013 horror comedy All Cheerleaders Die as lead Maddy. She next appeared in the unintentionally funny graphic novel adaptation I, Frankenstein, as a sexy gargoyle, no less. She then starred as kidnap victim, Chloe in the 2015 horror/thriller All I Need, which is only now being released and just last year in the horror comedy Fear, Inc. While we wait for this Australian stunner to appear in her next genre role, she can currently be seen in the sexy TV historical drama Reign. A busy girl we’d like to see even more of!

Caitlin would like to tell you how much she loves being in horror movies, but…(from All I Need)


This talented twenty-something from Pheonix, Arizona is an actress and a dancer and has proven to be quite versatile. She first caught our attention in the violent post apocalyptic epic The Last Survivors as the tough and tenacious Kendal, who takes on an entire gang to save the lives of those close to her. She also starred in the thriller Follow, was Krista, best friend to troubled teen Nadine, in the heartfelt and hilarious The Edge Of Seventeen (OK, not horror, but a really good flick!) and battled 23 different James McAvoys in the intense chiller Split! Obviously we’d watch Haley in any of her upcoming projects, but hope she returns to our favorite genre soon!

Haley’s Claire finds outwitting 23 different personalities may not be that easy in Split!

-MonsterZero NJ

Mood: Chillin'

timmyd at 08:38 PM Feb 10

excellent blog ! three talented and lovely young talents .

MonsterZeroNJ posted a BLOG item 19 days ago

review: ALL I NEED (2015)


Despite being made about two years ago, low budget horror thriller is finally being released on VOD. It tells the story of a pretty young woman (Caitlin Stasey from All Cheerleaders Die and Fear Inc) who wakes up in a small room bound and gagged along with about a dozen or so other young women in the same predicament. Most of her fellow captives are either already dead, or soon to be, leading the young woman to engage in a battle of wills with her murderous captor in order to get out alive. The story also follows a down on his luck man named Andrew (Markus Taylor) who starts getting job offers from a mysterious benefactor. Can the fates of these two individuals be somehow intertwined?

Writer and director Dylan K. Narang, who produced the cool monster flick Dark Was The Night, will answer that question by the time this film reaches it’s conclusion and while it’s not a total surprise, Narang does provide some intensity and some disturbing sequences before the credits role. Most of that comes in the segments that follow Chloe (Stasey) in her efforts to stay alive and out of the masked killer’s clutches in a confined space. The resilient girl uses whatever resources are at her disposal, including the bonds and bodies of the other young women who have also fallen prey to this individual. When we switch to Andrew’s story, the film is less interesting and a bit flat as we have become far more endeared to the embattled Chloe and are less interested in his tale, though his story does connect. The writer/director smartly keeps the focus predominately on the bloodied and scantily clad prisoner and it is those scenes that carry some nice intensity and a few disturbing moments. Narang is also not afraid to have our heroine make some tough decisions during her escape attempts regarding her co-captors and even the use of their bodies. The film’s momentum sputters a bit with Andrew, especially one lengthy scene with his benefactor’s boss (Holly Twyford), that despite delivering some needed exposition, kinda drags a bit. Once this scene plays out, we do return to Chloe’s horrifying drama, though at that point we already have figured out how it’s going to conclude. The film does have effective atmosphere and that is helped along by an 80s-ish score by Jacob Yoffee and the fact that Narang does have a good visual eye and delivers some effective shots even working on an intimate scale.

The cast is very small and the strongest performance comes from the pretty Caitlin Stasey who endears us to her Chloe quickly with some expressive eye emoting while bound and gagged and then with body language and facial expressions when she is free and in survival mode. As she is alone most of the time, she has limited dialog and filmmaker Narang avoids having her talk to herself to fill us in on what she’s thinking. Instead he let’s his actress show us and she does a great job feeding us her fear and resilience without externalizing her inner monologue. She uses her body and eyes to good effect. Markus Taylor is a little flat as Andrew, though he’s not what I would call bad. The material involving his character is not as interesting or intense as Chloe’s terrifying ordeal, which doesn’t give the actor nearly as much to work with. Holly Twyford delvers some important exposition with a monotone delivery and while her character is supposed to be a bit emotionally detached, the revelations could have used a bit more dramatic bite to make them work better and a little more depth to the ‘explanation ‘ as to the hows and whys. As for our killer, he is masked for 99% of the flick and he does carry some menace and intensity, even though he isn’t on screen as much as you might expect. There are a couple of other girls we see briefly and they are all fine as victims.

Not a perfect flick by any means, but one that was effective in the places it needed to be most. Dylan K. Narang delivered some intense sequences with his young heroine fighting for her life and we only wish the secondary story of down on his luck divorcee Andrew carried the same type of weight. Seeing Chloe try to survive her situation and somehow escape was far more effective and interesting than Andrew puzzling over the mysterious offer from a faceless voice on the phone. Chloe made some hard decisions in her quest to survive, while we feel Andrew made his ultimate decision far too easy considering what the job proposal turned out to be. Director Narang does show some potential and Caitlin Stasey shows she is a young actress to also keep an eye on, especially in the horror genre, where she has recently been no stranger. 6.5/10

-MonsterZero NJ

Mood: Chillin'

Boogie Buddha
Boogie Buddha at 05:05 PM Feb 09

Never heard of this, but I might check it out. Sweet review :)

timmyd at 08:22 PM Feb 09

good to know.

MonsterZeroNJ posted a MOVIE REVIEW item: 19 days ago



Directed by: M. Shyamalan
Written by: M. Shyamalan
Cast: James McAvoy, Brad Henke, Anya Taylor-Joy, Kim Director, Haley Richardson
Studio: Universal Pictures
Genre: Thriller
Official Site:
Plot: Man with 23 personalities kidnaps 3 young women


With The Visit, M. Night Shyamalan had started to show a bit of a return to form after a string of disappointments lasting over a decade of his career. Now with Split, he seems to have hit his stride again with this intense and disturbing thriller...[more]...

Other reviews of this film: Boogie Buddha (7/10) > Display all
timmyd at 07:53 PM Feb 08

dug the hell outta this.

MonsterZeroNJ posted a BLOG item 20 days ago

review: DON'T KNOCK TWICE (2016)


Flick is a perfect example of how a skilled filmmaker can take familiar story elements and tropes and use them effectively. Story has artist Jess (Oculus‘ Katee Sackhoff) trying to re-establish a relationship with her daughter Chloe (Lucy Boynton), whom she walked away from nine years earlier. Chloe however has run afoul of a local urban legend. It’s said that if you go to the abandoned house of suspected witch Mary Aminov (Ania Marson) and knock twice, it will summon the demon within and thus it’s minion…in this case Mary…will be sent to collect you. That’s exactly what Chloe and friend Danny (Jordan Bolger) do in jest one night and now Danny has vanished and something malevolent is following Chloe. Can Jess save her daughter from an unnatural fate?…a daughter who has nothing but contempt for her?

Horror flick is written by Mark Huckerby and Nick Ostler with an all too familiar a story, these days, of a youth crossing paths with a malevolent spirit. Under the guidance of The Machine director Caradog James, however, this is still a spooky and atmospheric flick despite having seen it all before. James gets some chills out of the haunting scenario that is the trend right now and serves up some really creepy imagery, even if the skeletal specter with long hair is a common visual in today’s horror. He also gives the film a dramatic intensity with it’s underlying story of a mother trying to fix the hurt she caused by abandoning her child and learning to love that child now selflessly. The familiarity unfortunately keeps this movie from really grabbing us and the abrupt ending is a bit jarring, but it is still far more effective than one might expect considering we have been deluged with similar films for the past few years. This was spooky and enjoyable, but it’s time for the next horror trend. The haunting/malevolent entity flick has played itself out and good ones are few and far between. This was entertaining, spooky and well made, but not quite unique enough to make it stand out too far from the pack like we wished it would.

Our leading ladies do help make this work well. Katee Sackhoff does some nice strong work as a women who selfishly abandoned her daughter nine years earlier and now wants her back. Not only does her Jess have to battle nine years of built up resentment, but also a demonic entity that wants to take her daughter from her. Sackhoff gives the role some depth and we do come to sympathize with her. Lucy Boynton is equally good as the young girl who has a lot of bitterness towards her mother, but has no one else to turn to when she is targeted by something no one believes her exists. She gives us an emotionally scarred but strong young woman and she and Sackhoff have a nice chemistry as we watch their relationship heal and build under extreme duress.

In conclusion, this was an entertaining and spooky flick, despite having a very familiar story. Director Caradog James gave it some chills and some cool visuals and his lead cast helped give their familiar characters some depth. While we wait for the next horror trend to give the tired haunting sub-genre a rest, at least this particular flick had some talent behind and in front of the camera to keep it from being mundane. 6/10

-MonsterZero NJ

Mood: Chillin'

timmyd at 08:14 PM Feb 07

I'll check it out . like Sackhoff.

MonsterZeroNJ posted a BLOG item 22 days ago

review: THE LOVE WITCH (2016)


The Love Witch is a delightful and colorful throwback to the erotic pulp witchcraft and romance flicks of the 60s, perfectly imitating the technicolor look and style. It tells the story of lovelorn witch Elaine Parks (Samantha Robinson) who turned to witchcraft after her devastating divorce. She now uses love spells to lure her men, though these spells usually result in a tragic death for the current object of her affections. A rookie police detective (Gian Keys) is hot on her trail, but will the handsome policeman be the next to fall victim to Elaine’s supernatural charms?

Filmmaker Anna Biller proves quite the workaholic by producing, writing and directing this charming and sexy homage, while designing the nostalgic 60s costumes and sets as well. The result is not only an incredible recreation of a long gone era of filmmaking, but deftly mixes in some feminist messages about the power of a woman’s sexuality and the depth of a man’s fear of it. The film is loaded with colorful characters, some very spicy sex and of course, plenty of spells and witchcraft, as our Elaine goes from one man to another, leaving a trail of bodies, until she meets Det. Griff Meadows…could he finally be the one? It’s a spooky and sexy ride to find out and while there are those who may not appreciate the moderate pacing, it matches the type of films it pays tribute to perfectly. Anna Biller displays both a creative talent and a deep love for her influences that are reason enough to watch this flick alone. It also has generous helpings of sex, nudity…and even a pinch of bondage…with a bit of blood spattering just as in the trashy, fun flicks this film embraces the style of. At the same time, it also succeeds in telling the story of a women in search of love and finding her own sexuality, but all with a vengeance. It’s wrapped in a package of sumptuous cinematography by M. David Mullen and told with the performance style and dialog of a bygone era that is all but lost. It’s not perfect. It’s a tad too long at two hours, a Renaissance Fair sequence in particular seems to drag on, but otherwise this a really enjoyable tale of female empowerment and a creatively crafted love letter to the pulp/witchcraft films of the 60s.

The cast all get the material perfectly. Lead Samantha Robinson is both stunningly beautiful and a captivating actress in a performance that oozes sexuality and mystery. She delivers the deliberately stylized performance as if time was turned back fifty years and does so with a charm and charisma of a star in the making. Her Elaine is enchantress, seductress and 60s housewife with a vengeance, all in one. Gian Keys also captures the tone of the heroic leads of that era with his rookie detective who falls for his #1 suspect. He is both charming and a bit arrogant. There is also Laura Waddell as Elaine’s new friend Trish. Trish is a perky girl next door type who seems a bit naive to Elaine’s witchy ways, till her own man is stolen by the enchantress. We also have good work by Jeffrey Vincent Parise as a teacher and Robert Seeley as Trish’s husband, both victims of Elaine’s quest for love.

Overall, I enjoyed this movie a lot for not only it’s tribute to an almost lost style of filmmaking, but for the story of a woman coming into her own sexual power, though with a deadly side effects towards her pursuits. Anna Biller shows she is a creative force to be reckoned with, much like her Elaine in some ways, by being a one woman studio on this spooky, sexy and fun flick. Both a filmmaker and lead actress to keep an eye on! 7/10

-MonsterZero NJ

Mood: Surprised

timmyd at 08:11 PM Feb 06

had a good time with this . great review.

MonsterZeroNJ posted a MOVIE REVIEW item: 26 days ago

The Wraith


Directed by: Mike Marvin
Written by: Mike Marvin
Cast: Charlie Sheen, Nick Cassavetes, Sherilyn Fenn Randy Quaid
Studio: New Century
Official Site:
Plot: Man returns from the dead as Charlie Sheen in a space suit and a pimped out Dodge to avenge his own death at the hands of a ruthless gang.


“Roadblocks won’t stop something that can’t be stopped!”- Sheriff Loomis (Randy Quaid...[more]...

Other reviews of this film: sLaShEr84 (7/10) > Display all
grelber37 at 12:25 PM Feb 02

Hey! I remember The Wraith. HBO played this one seemingly several times a day during the late '80s.

MonsterZeroNJ posted a MOVIE REVIEW item: 26 days ago

The Edge of Seventeen


Directed by: Kelly Fremon
Written by: Kelly Fremon
Cast: Hailee Steinfeld, Woody Harrelson, Blake Jenner, Kyra Sedgwick, Haley Richardson
Studio: STX Entertainment
Genre: Comedy, Drama
Official Site:
Plot: High school loner struggles to find her place after her best and only friend begins dating her older brother


Nadine Franklin (Hailee Steinfeld) has always walked to the beat of her own drum…and it hasn’t made life any easier when it comes to school and making friends. Her dad was one of the only people she felt understood her and he passed away four years earlier. She is jealous over her super popular older brother, Darian (Blake Jenner), especially when her one and only friend, Krista (Haley Lu Richardson) starts dating him. Feeling betrayed, Nadine sets out to find her place in the world with a little help from her cynical teacher, Mr. Bruner (Woody Harrelson) and Erwin, a nerdy classmate (Hayden Szeto) who might be what she’s been looking for all along, but is too absorbed in her own drama to notice...[more]...

Other reviews of this film: cobb (6/10) > Display all
MonsterZeroNJ posted a BLOG item 29 days ago



Interesting, but not totally successful, HBO documentary focuses on the alleged 2014 stabbing of young Payton Leutner by her two 12 year-old (at the time) friends Morgan Geyser and Anissa Weier. The strange motivation for the attempted murder was to please a fictional internet boogeyman known as The Slenderman. The documentary traces the horrid events back to the two girls’ delusional belief that they could appease this urban legend through the killing of another. The documentary also traces Slenderman’s origins to the CreepyPasta website where the two girls discovered it and interviews with their befuddled parents and so-called “experts” as to how they (and apparently many other youths) came to believe this tale was real.

Documentary is directed well by Irene Taylor Brodsky and while it certainly is interesting, it never quite as chilling as it should be considering the subject matter. We do get a picture of two girls who are delusional to the point of plotting and planning the murder of a friend to appease an internet urban legend that sprang from a photoshop contest. It does fill us uninitiated in on how this fictional phantom came to be and only stumbles on it’s not too successful attempt to explain why so many youths have come to believe that it actually exists…especially to the point of murder. The ‘experts’ the documentary interviews on that aspect of the subject don’t impress or really have a solid explanation as why this made-up specter has so many believing it’s real. We also never really get a clear picture as to why these two girls were so delusional and infatuated with this internet grown tale. As a viewer, I never got a feel for what the big deal about Slenderman is and therefor don’t understand what the fuss was about and why two young girls would try to kill over what is clearly a made up story…and to truly succeed, this documentary needed to to that.

-MonsterZero NJ

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