LelekPL posted a BLOG item
2 months ago
20. SKYFALL

Not only the most gorgeous looking movie of the year but also one of the greatest Bond movies of all-time. Roger Deakins did a truly spectacular job on this entry and managed to bring some artistic gravitas to this franchise. Both the DP and Mendes created what felt like a fresh Bond film by… going back to the character’s roots. This blend of new and old achieved mixed results from scene to scene but there is no way that I wouldn’t put Skyfall on my top of the year with the cinematography that it had, because it truly was pure art.
You can check my more in-depth review over here: http://www.moviefancentral.com/lelekpl/reviews/16898
19. MOONRISE KINGDOM

An adventure movie with a lot of heart. That’s the best way to describe it. It had a lot of typical for Anderson quirkiness, typical of Anderson shots and typical for Anderson’s actors solid to great performances. Come to think of it, there is a better way to describe this movie – the most Wes Andersony film by Wes Anderson… and in my books that is a recommendation.
18. THE PERKS OF BEING A WALLFLOWER

I was really surprised by how much I liked Perks. I honestly thought that I’m way pass High School dramas but like this movie, and even more surprisingly one more that will be featured later on on my list, has proven there are still interesting stories to be told, ones that can captivate all sorts of generations. What made this movie so special as opposed to the number of other teenage oriented films is that it was not only a drama about growing up but about real, edgy issues. It helped that the characters are clearly damaged and not just spoiled. The performances in this movie are also very strong, especially by Ezra Miller, who is unrecognizable after you watched We Need To Talk About Kevin. The kid is a real talent and one that I will be taking notice of. If you’re in for a throwback to the mature teenage movies of the 80’s, this would be a great movie to pick up.
On a side note though, how could they not know that was a David Bowie song? ;)
17. LINCOLN

I begin to think that Lincoln is the least cool movie to like from the recently nominated for Oscars features. I don’t know why in all honesty, because with the exception of one other film this was my favorite out of the bunch. Is it because of Spielberg? If so, than why? When did Spielberg become uncool? But I digress. I like Lincoln. Correction, I really like Lincoln. Not so much on an enjoyment scale but rather on how expertly crafted it was, how nicely acted it was (though it could have used less recognizable actors coming up on screen every 2 minutes) and most importantly how significant it is. If I were to compare it to any other Spielberg film it would have to be his all-time best - Schindler’s List. Naturally, they’re both different in tone, this one’s nowhere nearly as dark, as personal to the director and consequently as good. But in terms of human history, both of them are essential screenings. They describe who we, as people, are. They describe what’s best in us and what’s worst in us and they do it with the use of epic imagery and a backdrop of immensely vital moments in human history. That’s what makes Lincoln a must watch!
16. SEVEN PSYCHOPATHS

The power of Martin McDonagh’s script was enough to land this movie on my list. Very interesting, unusual and clever but also really funny. Naturally, it needed strong performances from the cast and sure enough, they didn’t disappoint. Farrell and McDonagh work great together and the addition of Rockwell felt like picture perfect. Sam steals the movie and his monologue on what the ending should be is the undeniable highlight, utilizing the actor’s delivery and witty and sometimes crude lines. Fortunately, the rest of the movie sticks to this formula and manages to even add some emotional elements to the story of these insane psychopaths.
15. THE AVENGERS

This movie had to be here. Even if it was just an adequate film I would still consider this a massive achievement since nothing like this has ever been done before. It was more of a cinematic event than an artistic creation and that is in no way a complaint. It did almost everything what it set out to do and it did it really well. The action is spectacular, larger than life, awe inspiring. The writing is really strong and the witty banter between the heroes in my opinion is the highlight of the movie. There were parts of it I didn’t love but there was also a lot more I liked. What that exactly is, you can check here: http://www.moviefancentral.com/lelekpl/reviews/14371
14. KILLER JOE

Ahhh dark comedies, how much I missed you… oh and you too Matthew McConaughey. To be honest, when I first saw it, I didn’t even get this was a comedy until about halfway through. When I decided to see it, I was certain I’m going to watch a thriller in the style of The Killer Inside Me. That’s what I figured from the synopsis and even from the opening minutes of the movie. But the more you get to know Emile Hirsch and his family you get to know they’re not your usual white-trash idiots, they’re one of the most hilarious white-trash idiots. It’s definitely not a movie that everyone will like but if you’re okay with something original, off-beat and at the same time dark, this movie would be a great choice. Furthermore, Matthew McConaughey elevates this comedy by giving us one of the best performances of the year. He can be funny, charming, intelligent, stupid and scary, all within the same movie or sometimes even in the same scene. It’s definitely the best acting of his career and in a year when he had other great performances in Bernie and Magic Mike it makes it that much more impressive. Good job Matthew and good job William Friedkin on crafting an atypical, awkward and amazing motion picture.
13. COMPLIANCE

It was probably the most uncomfortable movie of the year and it wasn’t one of the most pleasurable experiences, but goddamn was it an interesting movie. You could probably compare it to a car crash, where you see terrible images that make you cringe and yet you can’t look away. Now I would like to make it clear that this truly is a good movie! The performances are excellent, especially Ann Dowd’s who in my humble opinion deserved all the praise she could get. She had an incredibly difficult character to portray, a real scumbag. And by real I mean inspired by true events. A character that, although manipulated through a phone, is too dumb to understand that she is torturing an innocent person, a character that may or may not be doing it for her own gain. And she is the lead of the movie. As for our tortured protagonist? She is as clueless and passive as her oppressor to the demands of a madman. All this makes you scream at the screen, you want to stop it, you might even want to punch some sense into those people and yet you can’t and it leads to a terrifying conclusion. I was left dumbfounded, stunned and shocked, partially because that this has happened in real life… more than once, and partially because this was a great movie.
12. KILLING THEM SOFTLY

One might assume that a movie in which the ongoing subtext is devoted to American economy would not resonate well with a foreign filmgoer. However, thanks to Andrew Dominik’s direction, the film really managed to wow me in many different ways. First of all, Dominik managed to get his actors bring their A game and all of them really do their jobs well. Brad Pitt, the film biggest star, is only a distraction in the beginning, later on you completely buy him as the character he’s playing and it is a great, no-nonsense protagonist. Furthermore, Ray Liotta is back to crime dramas and it suits him. It’s probably his best performance since Goodfellas, maybe even better. He’s just very different here, more vulnerable, a tragic hero, who just cannot get a brake and whose faith is sealed. It’s one of the saddest parts of a surprisingly funny movie. I really didn’t expect it from the director of Jesse James, a movie that bored me to sleep not once but twice. There’s a lot of dark comedy elements to it, which combined with Liotta’s involvement make this a nice companion peace to Scorsese’s classic. Another aspect that is present in both productions is the great camera work and filmmaking in general. The cinematography is beautiful and the techniques used in many a scene make this film a unique and pleasurable experience. Whether the subtext and the main plot match is actually not really essential to me, the movie got it’s message across and both the storyline and America’s decline kept my full interest throughout the movie.
11. END OF WATCH

A fresh approach to a buddy cop movie is what elevates this project. I must admit that I’m not the biggest fan of this institution, I feel they are corruptible as the politicians that control them. However, I’ll be the first one to call them when I feel my life is threatened. There are good guys on the force and there are bad guys and I liked this movie for being honest with it. You see people just doing their job, like me and you. You can definitely relate to it and that’s what I did, mostly thanks to the great use of hand-held filmmaking. I agree that found footage flicks are overdone, that’s true, but when done competently they can add an extra dimension to both the film and the actors performances and that’s what happened here. Both Pena and Gyllenhaal are very believable as partners on the force. The first half of the movie is about just them – how men build their comradery, friendship and even love, how honest they can be and even how similar considering they’re coming from different backgrounds. Like I mentioned before, at first they’re just people doing their job, getting paid for it, discussing their personal problems. What helps the movie is that they’re pretty stand-up guys as well. If it was just another “fuck da police” kind of movies, where they’re all corrupt, this would be a hard and repetitive watch. But they managed to get me invested thanks to their characters. Unfortunately, their characters and their good nature is actually what gets them in trouble which is resolved in a very dramatic, ballsy and emotional conclusion. The lesson here, that once you stick your head out and try to do some good, you get hurt, is not the most popular ones in film but it rings true to this story and it might as well be true in real life.
Mood:

Chillin'
not a fan of her but I loooove that semi-shaved head + long hair look